Not to be too dramatic about it, that night I slept the sleep of the damned. I dreamt of turrets and craggy ledges where the windswept rain blew in from the ocean with the odor of violets. A pale woman in Elizabethan dress stood beside my bed and whi...
All Renaissance drama, especially the works of Marlowe and Shakespeare, is profoundly concerned with shifting power relations within society. The individual was a new force in relation to the state. The threat of rebellion, of the overturning of esta...
A man may be ‘dated’ in the sense that the forms, the set-up, the paraphernalia, whereby he expresses the matter of permanent interest, are those of a particular age. In that sense the greatest writers are often the most dated. No one is more unm...
For me, art in our time is strongest when it is aware of science, includes science, is inspired by science, or is about science. On the linguistic level, the new words coined by scientists to describe their new discoveries form a giant growing lexico...
A few people have ventured to imitate Shakespeare's tragedy. But no audacious spirit has dreamed or dared to imitate Shakespeare's comedy. No one has made any real attempt to recover the loves and the laughter of Elizabethan England. The low dark arc...
Coleridge’s description of Iago’s actions as "motiveless malignancy" applies in some degree to all the Shakespearian villains. The adjective means, firstly, that the tangible gains, if any, are clearly not the principal motive, and, secondly, tha...
How very lovable her face was to him. Yet there was nothing ethereal about it; all was real vitality, real warmth, real incarnation. And it was in her mouth that this culminated. Eyes almost as deep and speaking he had seen before, and cheeks perhaps...
