The only thing I would unequivocally say is that I have never had any interest in romantic comedy I just couldn't do it. I think I'd be terrible.
I always wanted a guitar. I always wanted to be a cowboy singer because I also listened to Hank Williams, and he would always sing these neat romantic songs.
How many times can you play an action character, or a quirky romantic? Every actor has to find his own way to make each character unique.
I've always been attracted to romantic secondhand clothes. But my style developed as I started going to these strange raves where everybody had these very definitive costumes.
I don't think Hollywood knows what to do with me. I would imagine that when it comes to romantic comedies, my name would be pretty low down on the list.
As it is, I have a limited range as an actor - light comedy. I have never been a fan of romantic comedies, and yet that is what I have ended up mostly doing.
I like playing off strong actors, whether it's Benedict Cumberbatch or Dominic Cooper. Also I'm a hopeless romantic, so I'm fascinated by relationships.
A lot of the scripts I read and the characters I get are 'the girl' in romantic films, and I don't know how comfortable I am, or the world is, with me being that.
The male is always the pawn in a romantic comedy. Come together, break up, go chase her, get her, roll credits. That's what happens in all of them.
It'll be interesting to see if I ever have to play a typical, bland romantic interest. I'm quirky, and playing it kind of straight and bland doesn't interest me a whole lot.
I would like to do a romantic comedy, but not a romantic comedy that is cheesy. I want to do an old romantic comedy like 'Roman Holiday' or 'My Fair Lady.'
I think as a young actress, it's very rare that you read something where you're not either 'the girl' or there to serve some romantic purpose in a male dominated cast.
When I speak of 'cycles,' I am referring to lengthy intervals of relative homogeneity, if not in the resolving of problems, than at least with respect to the consistency of their capacity to productively irritate.
I listen to Jay-Z, Nelly, Nas, Ludacris and all the young kids out there. I listen to them, and I have mad respect for them.
As long as you smile, have sparkly eyes and stick your shoulders back, nobody's going to notice your bum or your waist or your feet, for that matter.
I'm one of those guys that - as far as relationships and stuff go - if you smile at me, I'm like, 'Let's date for three years' - which is just ridiculous.
It's what everyone is after, I mean they want success and when they get it it's an incredible pressure but what you have to do is try to keep the big picture in view.
Growing up, I never listened to English music. I was more into Motown, as well as early rock n' roll like Chuck Berry and Little Richard.
I like to be one of those drummers who actually add to the music, not one of those guys who sit in a room 24/7 trying to outwit or outplay another drummer.
When I listen to most forms of music, in their most raw and pure, it all has a punk edge to me, like Lead Belly, Jimmie Rodgers, Otis Redding or Nirvana.
The music industry is saying, This is the format, and if you'll fit into this format, you can be on radio, and if radio will play you, MTV will expose you, and MTV will expose you, we'll sell records.
