I almost never make stuff out of cookbooks because they're either too complicated or there's an ingredient in there that I can't find.
life is either a reproducible, almost commonplace manifestation of matter, given certain conditions, or a miracle. Too many steps are involved to allow for something in between.
Your minds PERCEPTION of the past will change your future vision, and either prevent or propel forward progress in life.
Merkabah is translated as either meaning the throne of god or chariot. Both definitions imply a means of spiritual ascension, not a physical one. They only have it partly right.
Poetry is the guardian of love - constructed from truth it is a bridge that can be crossed from either side and it is oblivious of age or gender
I just can't feel lukewarm about a character. I either despise her, admire her, or don't understand her and want to understand her.
Fans tend to get too excited by streaks of either kind and I think the press does too. There should be a happy medium.
Children wish fathers looked but with their eyes; fathers that children with their judgment looked; and either may be wrong.
As a species, we're addicted to the facile discrimination involved in saying that something or phenomenon is either 'this' or 'that' - how much more uncomfortable that it may well be 'the other'.
Film is a very, very powerful medium. It can either confirm the idea that things are wonderful the way they are, or it can reinforce the conception that things can be changed.
We are seeds as well as parasites to the earth. We can either give or take, depending on our perception of growth.
I've noticed it a lot. I'm not someone who revises. It's always the first movement, it's that. It's an instinct. Either it works straight away, or it won't ever work.
Every writer knows that unless you were born gifted with either supreme confidence or outsize ego, handing in your work holds, in some cases, admitted terror. If that's too strong, at least fairly high anxiety.
To be honest, I am somebody that, as long as I have a character, it doesn't really matter if it's comedy or drama - I think timing is important in either. But for me, it's all about having a character to work on.
Harry Cohn did not make me. But I also feel that I probably didn't make me, either. I think it was a combination. I think that's what made it work.
When I listen to what I did under the influence - 10 years of work - I don't think it either enhanced or impaired me. It didn't have that much to do with it.
I don't want to tie myself into one area or the other. I think its important not to rely heavily on either TV or stand-up, but to let them work off of each other.
One of the terrific aspects of MIT in those days was the enormous variety of experimental work that either took place there or was talked about in seminars by outside speakers aggressively recruited by the faculty.
For a song cycle to work, you have to feel these things when you hear them and you either have an emotional reaction to it or you don't. The plotline is something that gets woven together in the back-story.
The Catholic Church has never really come to terms with women. What I object to is being treated either as Madonnas or Mary Magdalenes.
But one did not do feminist theory, as such, in those days, not only because male academic discourse did not recognize such a term, but especially because the women's movement did not either.
