Dae-su Oh: [after a huge fight] As I expected, I can't get along with anyone today either.
[last lines] Henry Niles: I don't know my way home. David Sumner: That's okay. I don't either.
Han Solo: Wonderful girl. Either I'm going to kill her or I'm beginning to like her.
Musician: What's the use? Nobody's listening to us anyway. Wallace Hartley: Well, they don't listen to us at dinner either.
Doug MacRay: I'm thinking about making a change... Stephen MacRay: "Making a change," either you got heat or you don't.
Terence Fletcher: Either you're deliberately out of tune and sabotaging my band, or you don't know you're out of tune, and that's even worse.
Economics is all about consumption. People either spend money now or they use financial instruments - like bonds, stocks and savings accounts - so they can spend more later.
I think that's most unfortunate about our Democratic system, that you're confining it to people who are either very wealthy in their own right or have capacity to gain access to large amounts of money.
Basically, movies come down to economics, and they're always too expensive. From a producer's point of view, an actor is either going to make him money or save him money.
What do wealthy people do with their money? They can only buy so many cars, houses, and steak dinners. So we either give it away or invest it.
Alas few socialists are either benevolent enough to work hard at these occupations out of benevolence or self-interested enough to work hard at them for money.
He who receives money in trust to administer for the benefit of its owner, and uses it either for his own interest or against the wishes of its rightful owner, is a thief.
Human nature is so well disposed towards those who are in interesting situations, that a young person, who either marries or dies, is sure of being kindly spoken of.
It's the nature of journalism to need to be close to your subjects. And either you're able to be tough on them, which a lot of us are, or you get in bed with them, and some people do.
It would be against all nature for all the Negroes to be either at the bottom, top, or in between. We will go where the internal drive carries us like everybody else. It is up to the individual.
The phenomenon develops calmly, but it is invisible, unstoppable. One feels, one sees it born and grow steadily; and it is not in one's power to either hasten or slow it down.
I was in relationship with a guy who was much older than me - either he was past his prime and I was coming into mine. There was nothing I could do to keep his attention.
I consider my relationship with acting in Hollywood as sort of a mutual breakup. Through puberty, Hollywood didn't really want me anymore, and I was like, 'Yeah, I don't really want you, either.'
When you see a bad romantic comedy, you see the script, the director, and the actors trying to create this warmth and this pathos and this feeling that you care about them. That cannot be manufactured - it's either there or it isn't.
Science and technology multiply around us. To an increasing extent they dictate the languages in which we speak and think. Either we use those languages, or we remain mute.
I only really watch sport. That's where you see real joy. I don't like watching much else on TV, because it's generally either twisted or sad.
