As for collaboration - I have done a lot, 26 books, and found publishers increasingly resistive to them. It's not that the books are bad; editors won't even read them.
I'm working on a bunch of things with my daughter Emily. In some ways, she's a smarter and better editor than I am.
If it were not for the fact that editors have become so timorous in these politically correct times, I would probably have a greater readership than I have.
I personally made lots of mistakes during my 10-12 years as a newspaper editor. Some of which I felt were big mistakes I have tried to address.
I have dictated stories from an airport after writing the story out in longhand on the plane that I got from phone interviews and then was applauded by editors for 'working magic.'
I'm impressed with how 'Newsweek's' outstanding staff has continued to put out a lively, well-informed magazine after the departure of their tireless editor, Jon Meacham.
Doing comedy for film is always a challenge because you are in the hands of the editor after the fact. I am hoping I can do some more soon, I enjoy doing comedy.
Always point your finger at the chest of the person with whom you are being photographed. You will appear dynamic. And no photo editor can crop you from the picture.
I had this vague notion that one day I might be editor of 'Vogue China.' It was a bizarre ambition, as I didn't speak a word of Chinese. There were flaws in my plan, admittedly.
Editors of open anthologies actively seek submissions from all comers, established and unknown. They are willing to read whatever the tide washes up at their feet.
It took a brave editor in the U.S. to sign a contract for Dancing Girls, and without her belief in the book, I'm not sure it would ever have found its way into print.
Marxists are people whose insides are torn up day after day because they want to rule the world and no one will even publish their letter to the editor.
Look, obviously that was - created quite a firestorm, but Newsweek editors have made clear that this was a situation where, you know, a solid, well-placed source provided some information.
Three-quarters of our sites - Kotaku, Gawker, Jezebel, Deadspin, Gizmodo, Lifehacker - are led by editors who built their careers within Gawker Media. That's the career path.
When U.S.-based editors and columnists parachute into a news storm, it is often the stringers who keep us out of trouble, helping us glimpse the complexity behind the headlines.
The fashion editor as it used to be has changed. Now you have to wear many hats, and whoever tells you differently is wrong. Now you're on TV, whether you want it or not.
Since fantasy isn't about technology, the accelleration has no impact at all. But it's changed the lives of fantasy writers and editors. I get to live in England and work for a New York publisher!
If I weren't performing, I'd be a beauty editor or a therapist. I love creativity, but I also love to help others. My mother was a hairstylist, and they listen to everyone's problems - like a beauty therapist!
The relationship with the words someone uses is more intimate and integrated than just a quick read and a blurb can ever be. This intimacy - the words on the page being sent back and forth from engaged editor to open author - is unique in my experien...
I was only 24 years old when a lady called Sabina Sehgal Saikia - the then 'Delhi Times' editor - asked me to host the 'Times Food Guide Awards,' so it was with The 'Times of India' that my career began in this field.
Certain media-related developments in the country are raising questions regarding its objectivity and credibility. Paid news and the declining roles of the editors and their editorial freedom is posing a major threat to the Indian media.
