Hence intellect[ual perception] is both a beginning and an end, for the demonstrations arise from these, and concern them. As a result, one ought to pay attention to the undemonstrated assertions and opinions of experienced and older people, or of th...
Frantic and serene, vigilant and calm, wrung-out and fortified, explosive and sedate—love commands a vast army of moods. Hoping for victory, limping from the latest skirmish, lovers enter the arena once again. Sitting still, we are as daring as gla...
There are high places that don’t invite us, sharp shapes, glacier-scraped faces, whole ranges whose given names slip off. Any such relation as we try to make refuses to take…I’m giddy with thinking where thinking can’t stick. No Names
While she lay there with these old worn thoughts coming obediently into her mind, called there by habit and the familiar quiet of early morning, she was aware that at the back of her mind there was another thought that was not at all stale, but so fr...
For double are the portals of flickering dreams. One set is made of horn, the other of ivory. And as for those that come through the sawn ivory, They deceive, carrying words that will not be fulfilled; But those that pass on outside through the polis...
My heart is hardy, for I have suffered much on the seas and the battlefield: this will be only something more. But a ravenous belly cannot be hid, damn the thing. It gives a world of trouble to men, makes them fit out fleets of ships and scour the ba...
But nothing less than the most radical imagination will carry us beyond this place, beyond the mere struggle for survival, to that lucid recognition of our possibilities which will keep us impatient, and unresigned to mere survival.
I loved the idea that looking at a painting or listening to a concerto could make you somehow "transcend" the day-in, day-out bullshit that grinds you down: how in one instant of pure attention you could draw something inside that made you forever la...
Hoeveel bedroevender nog dan vroeger vond ik het sedert die dag (...) dat ik geen aanleg voor schrijven had en ervan moest afzien ooit een beroemde schrijver te worden.
My father was one of those men who sit in a room and you can feel it: the simmer, the sense of some unpredictable force that might, at any moment, break loose, and do something terrible. [Burnside, p. 27]
Life is impoverished, it loses in interest, when the highest stake in the game of living, life itself, may not be risked. It becomes as shallow and empty as, let us say, an American flirtation.
I'd spent way more years worrying about how to look like a poet -- buying black clothes, smearing on scarlet lipstick, languidly draping myself over thrift-store furniture -- than I had learning how to assemble words in some discernible order.
There is evil! It's actual, like cement. I can't believe it. I can't stand it. Evil is not a view ... it's an ingredient in us. In the world. Poured over us, filtering into our bodies, minds, hearts, into the pavement itself.
By the light," he said, when he had mastered himself. "I think that beats singing a lullaby to a stormdog for simplicity and economy, Maerad. But I wish I had known that you simply had to blow at Hulls to get rid of them. It would have saved me a few...
The faculty of memory cannot be separated from the imagination. They go hand in hand. To one degree or another, we all invent our personal pasts. And for most of us those pasts are built from emotionally colored memories.
How heron comes It is a negligence of the mind not to notice how at dusk heron comes to the pond and stands there in his death robes, perfect servant of the system, hungry, his eyes full of attention, his wings pure light
each hour is a room of shame, and I am swimming, swimming, holding my head up, smiling, joking, ashamed, ashamed, like being naked with the clothed, or being a child, having to try to behave while hating the terms of your life.
He was one of that class of men who, apart from a scientific career in which they may well have proved brilliantly successful, have acquired an entirely different kind of culture, literary or artistic, for which their professional specialisation has ...
Swann could at once detect in this story one of those fragments of literal truth which liars, when taken by surprise, console themselves by introducing into the composition of the falsehood which they have to invent, thinking that it can be safely in...
... the good intentions of a third party are powerless to control a woman who is annoyed to find herself pursued even into a ball-room by a man whom she does not love. Too often, the kind friend comes down again alone.
... seeking to indicate to her by the extent of his gratitude the corresponding intensity of the pleasures which it was in her power to bestow on him, the supreme pleasure being to guarantee him immunity, for as long as his love should last and he re...
