This might be one way to start talking about differences between the early postmodern writers of the fifties and sixties and their contemporary descendants.
Some spiritually alert parents hold early-morning devotionals with their families in their homes. They have a hymn, prayer, and then read and discuss the Book of Mormon.
My characters have to talk, or they're out. They audition in early scenes. If they can't talk, they're given less to do, or thrown out.
When community action was put into federal law in the early sixties as part of the effort to combat poverty and social injustice, I supported it intellectually.
Throughout the early and mid-1990s, the Clinton administration debated the merits of paying for AIDS testing and counseling of vulnerable populations overseas.
Home can be the Pennsylvania Turnpike Indiana's early morning dew High up in the hills of California Home is just another word for you
I've been producing documentaries on global warming for 20 years and have seen the early warnings of extreme weather events come true.
I like a little movie I did in the early nineties called 'Mortal Thoughts.' The part was hardly written, but I learned a lot making it. No one remembers it.
According to the committee's findings, a network of mobile missiles carrying the newest warheads could be tested by China this year and deployed as early as 2002.
I remember seeing some little wrinkles in my early 30s and thinking they were interesting. But you know the horror of it is that the screen image has to be perfect.
I think I signed some contract, early on in my career, that I will only kiss Steve Carell when I do a movie.
The 'interactive fiction' format hasn't changed in any fundamental way since the early 1970s, in the same way that the format of the novel hasn't since 1700.
Through my attempt to get pregnant through IVF, we sadly found out that I have early stages of breast cancer. It's been a shock.
I learnt early on that your audience take the songs in the way they want to rather than the way you might want them too.
I was originally a painter, and I made films sort of as an extension of that, and then I started to try to make dramatic films because the early films were experimental films.
In my early days in Hollywood I tried to be economical. I designed my own clothes, much to my mother's distress.
When I was growing up in South Korea in the '70s and early '80s, the country was too poor to buy original records. Everything was bootlegged.
I could start with Mandelstam, who was a huge influence on my early writing.
How the early priests came into possession of these secrets does not appear, and if there were ever any records of this kind the Church would hardly allow them to become public.
I have a confession: I'm not a man of simplicity. I spent my entire early career making complex stuff. Lots of complex stuff.
Even when early innovations start to succeed, it is not uncommon to see growing businesses sabotaged for threatening the status quo.
