I'm afraid of only two things: being lazy and being cowardly. I get up early in the morning and go to work. I love to write.
I kind of romanticized what it was like to be a writer and director when I was in my early twenties. Working as a production assistant knocked that right out of me.
Pixar is going in the direction of the early Disney. And it's also corporate, where they have four or five projects in the works. I don't want to get into that subject.
In the early days, I promoted the idea of spending time in libraries to gain facts that other investors didn't have. Not many people did that kind of research, so it worked.
I'll go out, but I leave early, before the shenanigans. I don't really do the Hollywood party thing. I'd rather watch sports or play videogames or work out or sleep, to be totally honest.
I love to work. I really enjoy getting up really early and driving downtown. I just really love the process of acting and being on a series.
Now a cholera epidemic was sweeping through Southeast Asia and south Asia in the early 1970s, so I started medical school and I joined a laboratory to work on this.
It's hard to think of yourself as a brand, especially when I have four daughters who kick my butt early in the morning every day before I go to work.
I do what I do merrily out of curiosity because I want to know how the brain works. That will get me up early in the morning and keep me going all day long.
When David Arquette and I got engaged we started therapy together. I'd heard that the first year of marriage is the hardest, so we decided to work through all that stuff early.
I worked in the media from the late 30's through the early 70's. Politics in general became more liberal both nationally and within the state as the years passed.
An artist's early work is inevitably made up of a mixture of tendencies and interests, some of which are compatible and some of which are in conflict.
I had an older brother who was very interested in literature, so I had an early exposure to literature, and and theater. My father sometimes would work in musical comedies.
For me it was sort of career suicide to work in color, but I did it because I perceived myself from an early stage to be interested in seasonality - the changing of the seasons - that's what I deeply loved.
As I noted in my Nobel lecture, an early insight in my work on the economics of information concerned the problem of appropriability - the difficulty that those who pay for information have in getting returns.
I get up around 7 a.m. That's very early for a stand-up comic. Then I'll have breakfast with my husband, the artist Al Ridenour, take my three dogs for a walk and commence with my work.
Whatever you do, do it with all your might. Work at it, early and late, in season and out of season, not leaving a stone unturned, and never deferring for a single hour that which can be done just as well now.
The ability to work together has to be in the blood of particle physicists. They learn very early on that it is impossible to advance on one's own and that constant exchange is necessary.
I studied English at Princeton in the early eighties in what I consider a period of high obscurity. Professors and students ran around discussing the work of critics and philosophers that I doubt they'd read or understood.
In my early teens, I was a janitor. In high school, I got up early to deliver to accounts that required early service.
Ideas... [are] like babies - everything about their environment [says] they shouldn't exist. But they do. You can't dwell on problems too early, or they will swamp the virtues and you will decide not to do the project. (Attributed to Mike Jones)
