I think I had only been working nine months when I got 'Star Trek,' and it was huge. It was very overwhelming. So that opened my eyes a bit at an early age, kind of how not be frightened when walking into a responsibility of something like that.
It's great when people appreciate your work, but I don't know how seriously to take it. The amazing thing is that I found something so early that I can support myself doing, and that can even be extremely lucrative, but I love it either way.
...It is a well known fact that most artists produce their best work early in their career. They may refine what they do but you usually get the measure of what they are about on their first outing.
My ace in the hole as a human being used to be my capacity for remembering birthdays. I worked at it. Whenever I made a new friend, I made a point of finding out his or her birthday early on, and I would record it in my Filofax calendar.
Early in my career, I was involved with engineer-led projects, where designers came in late in the game and were expected to put lipstick on an existing code base. This almost never works.
I don't get bothered about statistics. If somebody had pointed out to me the odds of my being a working actress getting paid for what she does, I probably would have quit early in the game.
I had a lot of ideas on how comics worked and pretty early on I had this idea that it would be fun to explain them in comics form.
Whenever I'm running an hour late for for work, it always makes me feel better when I can leave an hour early at the end of the day to make up for it.
I have accomplished a lot, but it didn't happen overnight for me. I was 35 when I got the show, and had been working professionally for 15 years. It would be a lot weirder if I were in my early 20s and stumbled into it.
'The Rime of the Ancient Mariner' had a formative effect on me. I think it's one of those works that if you encounter it very early you're doubly enchanted by the beauty of the language and the strangeness of the vision. It stays with you.
I think certainly if I'd started getting published when I was in my early twenties, I was quite sheltered then and didn't know anything much about the world. I hadn't had any direct experience of how the world works.
I was fortunate enough to have my kids early, so being a mom always ended up being a better gig than these other parts that came along. So I always justified not really working a lot because I had a family.
I'm happiest at home hanging out with the kids... Having a family has been my saving grace because I don't work back to back on anything or I'd drive myself to an early grave with guilt and worry for my family, whom I'd never see.
In my early teens, I acquired a kind of representative status: went on behalf of the family to wakes and funerals and so on. And I would be counted on as an adult contributor when it came to farm work - the hay in the summertime, for example.
Before I start directing a show, I try to spend a few weeks hanging around the set, getting to know the crew and talking to the actors about how they like to work. Who is fussy? Who is left-handed? Who wants to go home early, and who is the perfectio...
I stopped writing short fiction early on - I was never really good at it, and I never liked the results. So I stopped trying to fit the material I was working with into these tidy little short fiction packages.
One of the things that I found very confronting in my early working life was that people thought I was some sensitive doe-eyed lovelorn boy, because they'd seen me do that a couple of times. What tends to happen is you get a run of similar roles.
I worked with Seann William Scott on 'Role Models,' and his arms are tatted up. He had to come to set an hour-and-a-half early to get them covered. It's not worth it. I want that extra hour of sleep.
Some people know that they are so adorable looking, all they have to do is smile and dress up and they get plenty from that. Then there are some of us who, early on, see that that doesn't work. So we joke about it.
For a lot of people, one of the reasons they don't like to work for founders of startups is that they can be sensitive and protective around what they've built. You have an emotional attachment to the early marketing and technology materials, and you...
It's very confusing when fame comes early on in your career. You get a little bit bent out of shape in terms of what's important. Fame is like the dessert that comes with your achievements - it's not an achievement in itself, but sometimes it can ove...
