Looking back upon my work today, I think the best I have done grew out of things deeply felt, the worst from a pride in mere talent.
Here's one from me: 'You have to be aware that everyone else is thinking far too hard about themselves to be thinking about you, whoever you are.' If you want it, you can have it. Once you know that, you can be free.
Nowadays, a critic has to watch 700, 800 films a year, and I know through experience, being a juror in prestigious film festivals where supposedly the best films are arriving, from twenty films maybe you see two that are good, one that is so-so, and ...
I think there are a lot of artists that are very traditional. I think someone can be a fan of someone like Josh Turner and then turn around and be a big fan of someone like Taylor Swift because, at the end of the day, it's all about those songs. I fe...
Starting a band is the easy part. Once you've formed the band, you have to tell a story, and that story requires songs. And not just good songs, but great songs. After a while, great songs won't do - they have to be the best. Success doesn't make it ...
Right after 'Backspacer,' my best friend got killed tragically. Something happened to me then where I got super motivated. I had a shelf of all this unfinished music... So I just went to work and made a conscious decision that I was going to finish a...
The most important thing is to just do it. If I work at a higher level I have responsibility to do better than what I've done before. Sometimes the best happens - beyond possibility. Just do it. Can't worry about it.
I always say to myself that if I can make a movie that makes a kid smile or gives them some hope or something to get excited about, then I'm applying myself in the best way that I can. I don't think that just goes for kids. I think that it goes for a...
I prefer to connect with fans from the stage. Like, I don't have a Twitter page, or anything like that. So for me, that's what the show is about. For me - is a way to interact with fans; being up onstage and showing them, through music - which is all...
We have this really retro vibe and style of songwriting and, personally, I wasn't embracing the current state of music until I fell in love with hip-hop. It felt good to suddenly embrace where music was headed, and I think hip-hop is the best at that...
I've had mentors who were kind of the troubadour singer-songwriters, like Merle Haggard, Loretta Lynn, Joni Mitchell, Bob Dylan and Neil Young, and that's just what I've always liked - people who would talk real honestly about their lives and their c...
It's quite ironic I suppose, it's that thing about being in a group when you all start out as friends and then invariably end up hating each other. So I just thought they needed telling really, in case they were labouring under the apprehension that ...
It was relatively easy to write 'The Cave of Lost Souls', though, because it came to me one night in a dream. I remember waking up and having this idea for a complete story - from start to finish - in my head, so I jotted it down, then later began wr...
Then Treece realized a remarkable thing. He understood in a flash that everyone in the world was the same age -no one younger or older than anyone else. He could not understand it, but he knew it to be true. Was there something in the air of the worl...
You have to keep challenging yourself. I've always tried to do that, and I'm not saying I've always been successful. Maybe I've rewritten the same song; it's inevitable, but I've always been mindful of taking the writing somewhere else. You can't sti...
I'd heard a lot of Motown and Stax when I was a kid, but the more well-known end of it. On Jam tours, we had a DJ called Ady Croasdell who ran a '60s club. He turned me on to underground stuff and what people call northern soul. It just blew my mind.
I've done drives through Budapest and Oslo and used to drive to Sardinia, too, which is quite a journey. Drives are an adventure because I don't plan them too carefully. I take detours depending on how I feel and usually stop and stay at places I lik...
I want a painting to be difficult to do. The more obstacles, obstructions, problems - if they don't overwhelm - the better. I would like to feel that I am involved at any stage of the painting with all its moments, not just this 'now' moment where a ...
With rare exceptions, I respond most to painting that cuts across grain rather than following it. I think the artist here can get in touch with that grain rather than simply feel its flow. And he really can't cut right across it anyway.
In the middle of 'Bleed Red' coming out, a huge disproportionate majority of people in radio came to us and asked if they could have 'Cost of Livin' as a single. There was even talk behind closed doors about pulling 'Bleed Red' because they had caugh...
On things like censorship, I think everything should be allowed on television. You know, I mean anything. I don’t know who believes that anymore. Every left wing party says there should be some degree of censorship, that some things are bad taste. ...
