A painting of a person can be descriptive, but for me it's about all the things that make up a picture - the feelings, the brushstrokes - more than describing somebody. People latch on to the personalities when they talk about my work and forget the ...
I haven't written an awful lot recently, but I think I probably will start again very shortly. Being so much on the road, when you have a couple of weeks off, you're likely to avoid sitting at the piano, and taping, and giving yourself more work to d...
I would prefer it if people thought that I didn't work hard, that I just played the guitar for three minutes a week and was like, 'Check out this song - what do you think?' That would be ideal. I would prefer telling people that I'm just truly talent...
I'll take a certain concern of my own or a situation and try to frame it around a fictional story, but sometimes just straight-up autobiographical songs work well, and sometimes a story is better. I like stories. I like to hear them. I don't think th...
'Sing It Again Rod' touches all the solo bases since Stewart's departure from the Jeff Beck Band, wherein he cut his teeth on American audiences for $75 a week plus expenses, and wisely ignores his generally inferior work with the Faces.
On the floor I am more at ease. I feel nearer, more part of the painting, since this way I can walk around it, work from the four sides and literally be in the painting.
I feel like the live record thing is something that I've been getting used to as the years go by and with this being my second one, I'm continuing to learn what works and what doesn't work. A live record is an example of that authenticity and that re...
Even though what I do does enter the market, it doesn't interest me. I am exclusively concerned with the formal qualities of my work. It is about the need and the right to self-expression.
I knew de Kooning and I went to his studio so I knew about de Kooning's work. But only a little handful knew about it, you know. Maybe there were ten people that knew about it.
Some people try to paint in my style. Some simply sell pirated copies of my work. Some claim to be my publisher or agent or even my exclusive representative, when they are not.
When I produce other people, that's the thing I can do well because I've been in a band, and I can play the political game and make everybody feel happy, and I can check their performances, and I can work on the sound while they're being a band.
When I see films like 'Lagaan' and 'Rang De Basanti,' I feel, 'Why can't I do work like this?' Then you think and realise you need to learn more to make this kind of a film or write this kind of a film. Also, somewhere down the line, you need to be b...
I became interested in making books, starting about 1965, when I did the Serial Project #1, deciding that I needed a small book to show how the work could be understood and how the system worked.
After the Second World War, I returned to California to study composition with Darius Milhaud, who wrote wonderful works like 'Le Boeuf sur le Toit' and 'La Cretion du Monde.' I especially enjoy his work for two pianos, 'Scaramouche.'
The noise around us determines how we speak. And how we listen. Just as a conversation suffers in a war zone, art suffers in a culture built on noise. So does our enjoyment of it.
The mistakes we make when we are young are just as important to us as food or air. Without learning how to do things the wrong way, we can never learn how to do them the right way.
I walk through the old yellow sunlight to get to my kitchen table the poem about me lying there with the books in which I am listed among the dead and future Dylans
They're not doing much for themselves. I'm sure they'd rather slip away, relax their fingers and float, but they can't. They're not allowed. Effort is so painful; our knuckles are white, yet we keep clinging. The alternative is suicide- and we are to...
Color directly influences the soul. Color is the keyboard, the eyes are the hammers, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another purposively, to cause vibrations in the soul.
I'm ephemeral as much as I can be, so I started to think about the idea of not working. It's really about a change of attitude. It's not so much about stopping, but about re-thinking the meaning of one's production.
I like England more than I did when I left. It's become a bit of a better country in the last ten years, in the attitude of it. A bit more Americanized, which is both good and bad. At least when you order a cup of coffee they don't give you a hard ti...
