I have always heard that uber-successful people who write books about how to become uber-successful all have one thing in common: They all meditate every day. I consider yoga my meditation.
I am, first of all, a Christian and, secondly, a person with very very serious personal opinion, so I'm motivated by many many things and, certainly, not by the need or desire to satisfy other people's ideas of who I am.
There's something about a wah pedal that really gets my gut going! People will probably say, 'He's just hiding behind the wah.' But that isn't the case. It's just that those frequencies really bring out a lot of aggression in my approach.
I feel really fortunate that, in playing guitar and surfing, I've found two things that mean so much to me, and which really complement each other. There's definitely a spiritual thing to both of them; they totally connect you to a higher realm.
When I got my first Marshall amp, it was so empowering. No one ever forgets their first Marshall amp if you're a guitar player pursuing a big powerful sound. I mean, no one ever forgets their first Marshall amp.
I've mainly been sampling jazz because the tone of the chords are expressive in itself, so it's quite nice to write over. It's got interpretations of a lot of different genres, too, a lot of dubby-ness and experimental stuff.
Man, as a form, bears within him the eternal principle of being, and by economic movement along his endless path his form is also transformed, just as everything that lives in nature was transformed in him.
There was no person, whether they thought I was too fat, too black, too country, too ghetto, too New York, too thug or too whatever! Nobody ultimately had the say over whether or not I was going to make it.
As a child I prayed that my calling be revealed - but not with expectation and not with a destination. I became an artist because I didn't know what to do and I thought it was really fun to make things.
A lot of times Mick will play me different things, or I'll listen to a cassette, and out of twenty ideas or whatever, I'll find two or three that are just blowing me away, and we'll start working on them right away.
The Jumble Shop would be one place where we'd sometimes accumulate down in the Village. I think it might be just a place that's unknown that was right around the corner from wherever it was that we met.
I spent seven months in Africa and came back saying there isn't anything you can say about black people that you couldn't say about, say, pink people except that they're black.
I got my first show at Blum & Poe because Paul McCarthy postponed his show, and they came to my studio and asked me if I could put together a show in two weeks.
Even when I was a hip-hop DJ I always kept it classy. The motto is always 'flashy but classy.' You've got to be original and stand out from the crowd and take some chances. But you've always got to keep it classy.
I've always been the DJ or the bass player or the drummer, somebody in the background. I don't think anybody who knows me personally would say that I'm particularly shy or introverted, but I'm definitely not like Mr. Attention.
James Brown is the perfect example of flashy but classy. Classy doesn't have to mean boring. His gear was flamboyant but without being so over the top. The cape was probably the biggest part of his persona. He looked like Superman.
Barry White, Smokey Robinson and Curtis Mayfield are big influences for me. But I'm also a metal head. I was in a bunch of punk rock bands. The Bee Gees, hip-hop and the Beach Boys are just as much of an influence on me as Smokey.
My second wife Bonnie Owens and I worked together after we divorced for a period of maybe 20 years. And I managed to stay friends with another wife. And then there's one that I don't mess with. Everybody's got one of those.
It's been said that Bill Gates has come up with something that'll be released in December that's gonna put a lid on counterfeiting. If that's a fact then it's really interesting to own your own product - with all the potential methods of downloading.
And watching Ed, he's really coming into his own doing some new things onstage I've never seen him do. He's really getting into it, putting 120 percent into the show. We feel comfortable and excited.
And I think that even today, New York still has more of this unexpected quality around every corner than any place else. It's something quite extraordinary.
