The latest page I've been working is about the organization of the pantheon of the gods. Who's indebted to whom, how they are related, who screwed whose uncle or grandmother, all of that.
I was brought in, not in the photographic department at all, I was brought in on a thing called Special Skills. I was to do posters, pamphlets, murals, propaganda in general, you know.
I felt very strongly the whole social impact of that depression, you know, and I felt very strongly about the efforts that this Resettlement Administration was trying to accomplish; resettling people, helping them, and so on.
I feel, having the choices I had, I felt I had more control over my own medium than I did over photography.
Years from now, after I'm gone, someone will listen to what I've done and know I was here. They may not know or care who I was, but they'll hear my guitars speaking for me.
She was the sun of my life, the gilder of every pleasure, the soother of every sorrow, I had not a thought concealed from her, and it is as if I had lost a part of myself.
When I moved to New York, I was waiting tables, painting in the daytime and working at night, and I felt it was possible to find a balance and just about get by.
Country radio certainly widens the boundaries of what I can do. Other artists may do something more edgy that gets on radio and that opens the door for me to be more edgy, I think.
I wanted to be the perfect artist. I'd do three hours of media interviews a day, going to every radio station I could squeeze in. I'd sign autographs after the show until everybody left.
So, once I get writing I really try and put five to eight hours a day in my room with a guitar to really try and come up with stuff that feels interesting enough to me to keep it.
I think most paintings are a record of the decisions that the artist made. I just perhaps make them a little clearer than some people have.
I'm very interested in how we read things, especially the link between seeing two-dimensional and three-dimensional images, because of how I read.
Photography is the easiest medium with which to be merely competent. Almost anybody can be competent. It's the hardest medium in which to have some sort of personal vision and to have a signature style.
If the bottom dropped out of the market and the artist was not going to sell anything, he or she will keep working, and the dealer will keep trying to find some way to convince somebody to buy this stuff.
I do find my speech difficult at times, but it's getting so much better as my confidence grows and that's thanks to the position I'm now in, which is totally due to my fans.
I can paint and draw. I believe this myself and a few other people say that they believe this too. But I'm not certain of whether it's true.
I look out the window sometimes to seek the color of the shadows and the different greens in the trees, but when I get ready to paint I just close my eyes and imagine a scene.
Singing has always seemed to me the most perfect means of expression. It is so spontaneous. And after singing, I think the violin. Since I cannot sing, I paint.
Collaboration is much like a birth. The song that springs forth resembles each one of us to a degree, but it's the kind of thing that would never be born from just one of us sitting down with a guitar.
Bob Dylan has a way with words that simply blows me away. When he forgets his lyrics he just makes up new ones on the spot, that is what I called talented!
It'll be basically a live album, but it will also include songs, Judas Priest songs, the audience have never heard before, because we felt we wanted to give the kids something else, something they haven't already bought.
