The world is full of people who have dreams of playing at Carnegie Hall, of running a marathon, and of owning their own business. The difference between the people who make it across the finish line and everyone else is one simple thing: an action pl...
I am definitely still the same kid that I was picking up the guitar at 15. But, I have definitely learned to be more flexible and roll with the punches. It's such an unpredictable business to be in and it's insane how things change so last minute.
I am very aware now that music is a business, but there is also a way to go about making music that is true to yourself as opposed to doing, you know, just going through the motions and making things that would just be commercially successful.
In other words, I'd say the whole story of Bob Dylan is one man's search for God. The turns and the steps he takes to find God are his business. I think he went to a study group at the Vineyard, and it created a lot of excitement.
Writing is not work. In fact, there's nothing better. Writing is something that if the music business went completely away tomorrow - radio stations quit existing and music quit being popular and it was old hat - I would still write songs.
If by chance some day you're not feeling well and you should remember some silly thing I've said or done and it brings back a smile to your face or a chuckle to your heart, then my purpose as your clown has been fulfilled.
New York is the place that made my and other artists' dreams come true by giving us a chance to realise our ideas and concepts. It was a great place for making a presentation of artistic creation.
I think something I've been drawn to about the people I work with is that they seem to be - like me - people who are a little insane, and have to make music. It's not a choice they're making for the sake of vanity - like it's cool to be in a band.
I think some people record songs and make records a certain way to cater to radio. If you're born to make commercial music that's cool. But if you're born to not make commercial records, maybe you're meant to cater to another market.
I do think sometimes there's danger in guest appearance mania. I've seen too many examples that sound cool on paper, like 'Oh, get that guy to sing the hook on that guy's song,' and then that's all it is. It's a cool idea that sounds good on paper.
No matter how good you are, at some point your kids are gonna have to create their own independence and think that Mom and Dad aren't cool, just to establish themselves. That's what adolescence is about. They're gonna go through that no matter what.
They used to say it was bad for Indians to drink, but it's bad for anybody. When they drink they lose their cool, a lot of us. Like when we played with Sonny Boy, I would never get paid, you know. He would drink up all the money.
I like men who are very cool but who are also so brilliant that they are almost insane. Sean Penn, Gary Oldman, Bob Dylan, Tom Waits - men who would be flipping burgers if they hadn't found an outlet for their brilliant mind-sets.
Touring is very routine. You get to the city, you go to the hotel, you got to be at the hotel by a certain time - it's very routine. I'm not a very structured person, so when I get some structure, it's cool; it's good for me.
I'm usually really drawn to a song, and I know it would be good to cover if it sounds like something that I could write, or I wished I could write. Sometimes a writer just sounds like they're in your head, and that is really cool for me.
And I remember as a second or third grader having some autonomy to go to the store if I felt like it, walk home, take my time, kick the can. We were on our own schedule after school, so that was cool.
They're very, uh, you know, I don't come from the suburbs and a jolly, Disney type of lifestyle. I come from something totally different. And they're cool and bare minimum so it's not always a money issue for me.
I think who you are in school really sticks with you. I don't ever feel like the cool kid at the party, ever. It's like, 'Smile and be nice to everybody, because you were not invited to be here.'
My stage name has always been 'Armin van Buuren.' When I really started DJ'ing professionally, I already had a few U.K. hits under my belt under the name 'Armin', so I couldn't really change that anymore.
Things change and work changes. Right now I like the idea of enveloping a space and getting messages across that connect to the world in ways that seem familiar but are different.
No one can make the album they made 10 years ago with a straight face. There are two reasons: one is you change as a person. To be a true artist, I have to be true to who I am now and write that way. And the second thing is these are different times.
