Over the years, myths were built up about my relationship with Fred Astaire. The general public thought he was a Svengali, who snapped his fingers for his little Trilby to obey; in their eyes, my career was his creation.
We must restore the emotional relationship that people have to the idea of America, that no matter where you come from, no matter where you live, that you have access to the same opportunities that somebody who is born in privilege.
My brother and I had a real love-hate relationship with my success. There was some bitterness there that I didn't understand until recently, but I told him that if I ever did a record I wanted him to play on it.
Yeah, we pretty much had a form and a shape by that time - a style - and I think one of the advantages of not having any relationship to any other puppeteer was that it gave me a reason to put those together myself for the needs of television.
Two halves don't make a whole. Two wholes make a whole. In my relationship, I was giving myself away to make the relationship better, but in actuality, wasn't doing better by doing that. I became less of a man.
In the pre-production process, I am emailing with the actors or jumping on the phone, and we're sort of figuring out who the characters are and trying to build the relationship dynamic and things like that. Then, also, I am outlining.
It's a very difficult thing losing a parent, but I think there's an added complication for me, because he was so well-loved and he had this very open charm that made people feel they had a personal relationship with him.
Knowing so many people like myself who are singers and in traveling bands, the people you're in a relationship with feel slighted because they feel you're giving all your energy to your fans, and there's a lot of truth to that.
I don't think the relationship between novels and realities are one to one. Of course novels play different roles. It's essentially just a long narrative form. What you use that long narrative form for can be very different.
I shoot people in a way that makes the audience feel equal to them. And it's hard to express and it's hard to execute but I think it works on every level - the choice of the material the choice of the actor, my relationship with the actor, and so on.
I've never had a relationship with a record executive. I always went to the record company by someone that liked my playing. Then they would get fired, and I'd be left with the record company. And then - because they got fired - the record company wo...
That balance between involvement and detachment is what novelists do. It's the ideal relationship between a novelist and a character, I think, total involvement and identity and empathy, stopping short of being autobiographical - in my case, anyway -...
There's a fascinating school of thought that some women are relationship addicts. You get really strung out on a guy who's not returning your enthusiasm and tell yourself you're going to fix him and make him better, and of course it's impossible.
We have people in our lives who help us evolve along the way. If you're lucky, you find someone who evolves along with you, and that's what you call a long-term relationship.
If my career continues along its current arc, people will probably look at me and see a writer who is obsessed with the relationship between rich and poor and with how the rich somehow or other always manage to betray the poor, even when they don't m...
I have absolutely no empathy for camels. I didn't care for being abused in the Middle East by those horrible, horrible, horrible creatures. They don't like people. It's not at all like the relationship between horses and humans.
Shooting in sequence, I think it intensifies everybody's relationship, the crew, the actors. You have to be very focused, and shooting at night is a challenge because you get tired. I think it requires a special kind of concentration, but it's also e...
I am not possessive at all. In every relationship I have had, the girl has left me. And the fundamental complaint has been that I am self-contained. I am just comfortable with myself and am always on an adventure.
There's the conforming 9-to-5-lifestyle thing. Then there's, like, settling down, trying to find a balance in a relationship sense, or having a dog and having a house. All these things, like, they're not really gonna make you happy.
I think the most romantic thing you can do is just turn up. Turn up when it's difficult for you. Travel halfway around the world or just up the road. Whatever it is, just be there.
You do your work as a photographer and everything becomes past. Words are more like thoughts; the photographer's picture is always surrounded by a kind of romantic glamor - no matter what you do, and how you twist it.
