Since I was a kid - youngest of five kids - I've always been starved for attention, like 'Look at me! Look at me! Look what I can do!'
I think, you know, when you're a teenager, sometimes your emotions are a little bit more drastic than maybe when you're in your 20s. You sort of level out a little bit.
But I was very, very unhappy because my mother was very charming and generous, but to me, very dominating.
I will listen to a beautiful person much more quickly than a plain person, and I have to learn to be nice to people who are not attractive looking.
I'm not the kind of artist who has an idea and then carries it out; it's more like I find what the idea was through doing the paintings.
Sculpture occupies real space like we do... you walk around it and relate to it almost as another person or another object.
I don't want the viewer to be able to peel away the layers of my painting like the layers of an onion and find that all the blues are on the same level.
I don't care about the Guggenheim. The Guggenheim isn't involved in anything that I am interested in. I don't care about motorcycles and Armani suits.
Any artist who goes to Las Vegas is an idiot as far as I am concerned. Whoever goes to Las Vegas can stay in Las Vegas.
Of all the artists who emerged in the '80s, I think perhaps Cindy Sherman is the most important.
I had a meal in Pizza Hut and the waitress told me I didn't need to pay. So I decided to be a bit cheeky and ask for more pizza and garlic bread.
Sun-bleached bones were most wonderful against the blue - that blue that will always be there as it is now after all man's destruction is finished.
I believe I would rather have Stieglitz like something - anything I had done - than anyone else I know.
I often lay on that bench looking up into the tree, past the trunk and up into the branches. It was particularly fine at night with the stars above the tree.
I don't very much enjoy looking at paintings in general. I know too much about them. I take them apart.
I have things in my head that are not like what anyone taught me — shapes and ideas so near to me,so natural to my way of being and thinking.
I have already settled it for myself so flattery and criticism go down the same drain and I am quite free.
I moved to New York from California when I was 11, so initially I was seen as the California person for a while. I didn't feel like I was popular, but I did feel confident.
The conscience of an artist worthy of the name is like an incurable disease which causes him endless torment but occasionally fills him with silent joy.
Every museum is full of nice things. That's the opposite of before. It was important things or serious things. Now we have interesting things.
I'm still very sure that painting is one of the most basic human capacities, like dancing and singing, that make sense, that stay with us, as something human.
