I didn't write anything at all except book reports until I was in seventh grade, and then I wrote mostly poetry for myself.
Living here on Earth, we breathe the rhythms of a universe that extends infinitely above us. When resonant harmonies arise between this vast outer cosmos and the inner human cosmos, poetry is born.
I have always wanted what I have now come to call the voice of personal narrative. That has always been the appealing voice in poetry. It started for me lyrically in Shakespeare's sonnets.
Poetry, fiction as novels or short stories - these are autonomous as created by their authors. They should stand on their own, like pieces of furniture that should be judged as to their usefulness, elegance.
Poetry for me is very easy. It's like a lightning bolt. I feel this calling, and the first line of the poem comes into my head, and I just have to go to the page, to the typewriter, to the computer or whatever and write it.
Poetry and fiction have grieved for a century now over the loss of some vitality which they think they see in a past from which we are by now irrevocably alienated.
Clarity, clarity, surely clarity is the most beautiful thing in the world, A limited, limiting clarity I have not and never did have any motive of poetry But to achieve clarity.
I developed a definition - which I think becomes less and less accurate as poetry moves into the world - that poetry was a way of speaking to the world, but fiction was a way to get the world to speak to me.
Shakespeare has been praised in English more than anything mortal except poetry itself. Fame exhausts thought in his eulogy.
English poetry begins whenever we decide to say the modern English language begins, and it extends as far as we decide to say that the English language extends.
Modernism in other arts brought extreme difficulty. In poetry, the characteristic difficulty imported under the name of modernism was obscurity. But obscurity could just as easily be a quality of metrical as of free verse.
We don't attempt to have any theme for a number of the anthology, or to have any particular sequence. We just put in things that we like, and then we try to alternate the prose and the poetry.
Listen, real poetry doesn't say anything; it just ticks off the possibilities. Opens all doors. You can walk through any one that suits you.
There is one type of ideal woman very seldom described in poetry - the old maid, the woman whom sorrow or misfortune prevents from fulfilling her natural destiny.
The end of poetry is not to create a physical condition which shall give pleasure to the mind... The end of poetry is not an after-effect, not a pleasurable memory of itself, but an immediate, constant and even unpleasant insistence upon itself.
Poetry is for me Eucharistic. You take someone else's suffering into your body, their passion comes into your body, and in doing that you commune, you take communion, you make a community with others.
What I wanted to do in rock 'n roll was merge poetry with sonic scapes, and the two people who had contributed so much to that were Jimi Hendrix and Jim Morrison.
When you're writing fiction or poetry... it really comes down to this: indifference to everything except what you're doing... A young writer could do worse than follow the advice given in those lines.
Jazz and poetry both involve a structure that may be familiar and to some extent predictable. And then, you try to create as much surprise and spontaneity and feeling and variation while respecting that structure.
You have to learn a few things, which you do along the way, but basically, poetry is a matter of the ear. Iambic pentameters or what constitutes a stanza comes naturally - your ears will know.
Why do writers, say, give up a job in economics and decide to write poetry? Or, why do they give up a job in a bank and decide to paint, like Krishan Khanna? They want to convey something.
