I grew up in Oklahoma and Missouri, and I just loved film. My folks would take us to the drive-in on summer nights, and we'd sit on the hood of the car. I just had this profound love for storytelling.
It was 100 feet of 16 mm black-and-white film of a car coming to a stop sign, and driving off. I had to decide how to frame and light it. It was magic. There was a sense of mystery.
We put more emphasis on who can drive a car than on who can be a parent. And I think there ought to be mandatory parenting classes starting in high school, and you should have to have a license to be able to be a parent to explain that you don't give...
No, in Lethal Weapon I was a taxi cab driver that Mel jumps in front of the taxi and pulls me out of the car and steals the taxi. Then I did some other indie driving for some of the car sequences.
A number of years ago, I found a book of photography by Weegee; he was a crime photographer in the 1930s in New York. He was the first person to put a police scanner in a car and drive around.
My mom always makes the whole family pile into the car and drive around to look at the Christmas lights. My brother and I never want to do it, but my mom just loves it!
The image is where you have dinner at night, who you're seeing. It's what car you drive and how you dress. People in the industry sell that, and it creates a dream. There's nothing else.
You need someone to tell you how to do things like hitting your marks, or driving a car so it looks right or getting out of a car so it doesn't take a million years of screen time.
I drive Fords, and I've driven American cars all my life, and I want to have a strong American manufacturing sector, especially in automobiles.
If you are a writer you locate yourself behind a wall of silence and no matter what you are doing, driving a car or walking or doing housework you can still be writing, because you have that space.
Is it sufficient that you have learned to drive the car, or shall we look and see what is under the hood? Most people go through life without ever knowing.
I'm a racer at heart more than anything else, and that will always be my priority: competing. But ultimately, if you can't drive, you can still have the competitive spirit outside of a car.
I'd really like to get the girl, shoot the gun, drive the car, have fun. I even have these kind of action dreams, where I'm the action guy.
Some players tell me that since retiring they've had the urge to go somewhere every three days. To satisfy that urge, they may even jump in the car and drive around the block.
I moved to Cardiff when I was 17 and never needed a car. When I came to L.A. for my first job there, I needed a car, so I had to pass my driving test.
People get really nuts around cars. They get angry at cars, they get angry at their car, they get angry at people driving in cars; there's something really comical about that, about automobiles.
Acting advice is a bit like your parents teaching you how to drive a car. You know they're right, but you still kind of want them to shut up a bit.
In the future, you'll simply jump into your car, turn on the Internet, turn on a movie and sit back and relax and turn on the automatic pilot, and the car will drive itself.
I grew up in Bedford, N.Y., and it was close enough to Jones Beach on Long Island that every summer my mother would pack the car for the day, and we would drive to the beach!
I love to drive. My present to myself from 'The Tudors' was a red Mazda MX5 hard-top convertible. I loved that car, and also what she represented - my first success.
I drive a hybrid, moving into an electric car. I only drink tap water, never consume food that's travelled.
