I'm a hard guy to live with. I'm like a caged animal. I'm up all night walking around the living room. It's hard for me to come down from what I do.
I still find it absurdly difficult to concentrate on a novel if there's a phone or computer to hand; I have taken to locking them outside the room like noisy pets.
I'm one of a generation brought up on television whose acting is more 'naturalistic', whereas with some of the older generation it's more heightened. But I think there's room for both styles.
I think, in a lot of ways, it's easier to play a smaller room. You can exploit the quieter dynamics you would shy away from in larger venues.
All too often in tough economic times, it is the environment that gets left on the cutting room floors of Congress as everyone scraps for limited federal dollars.
Most Sunday magazines, with the New York Times as an exception, are kind of sleepy, weekend service vehicles to move living room products.
Waking up in a room with no natural light does something to a man. no windows. I’m almost afraid to die. I fear my soul won’t make it out.
Americans cannot realize how many chances for mental improvement they lose by their inveterate habit of keeping six conversations when there are twelve in the room.
The biggest fatal flaw in most fictional portrayals of nanotech - what sends those books arcing across the room - is ignoring that the nanobots need energy to do... anything.
@BretEastonEllis 31 Mar After watching the delirious Room 237 I realized that the worst thing happening to movies was the empowerment of the viewer via technology.
I'm terrified of walking into a room full of people. Sitting down at a dinner table with 15 strangers brings me out in a sweat.
'Mike & Molly' exists in a world where we don't just say a snarky line, make a crazy face, and walk out of the room. There's actually some tender moments here, too.
It’s remarkable that a device, which fits in your pocket, can hold thousands of books. But a room full of books is an entirely different kind of remarkable.
It's lonely to listen to the pleasure of others, not that I've made a habit of that kind of eavesdropping. There's joy and passion in the next room, in the next bed, but it's not yours.
I always feel like the editing room is like coming into the kitchen. What kind of a meal do you make from there? It can be anything.
When I go into a pitch room and I'm pitching something with a writing partner, everybody tends to look at the guy, even if I'm doing a lot of the talking.
I think it's a really big deal to be able to meet people outside the context of something like a conference room or someplace where everything feels like it's formal talk.
Acting is playing - it's actually going out on a playground with the other kids and being in the game, and I need that. Writing satisfies that part of myself that longs to sit in my room and dream.
When I hear of an 'equity' in a case like this, I am reminded of a blind man in a dark room - looking for a black hat - which isn't there.
Leaving the house is a big enough occasion for me, so getting on a plane and flying across the world and playing to a room full of people is just out of this world.
Film is a very tight little box. If you don't fit in that box, you're gone. Television, there's more room to move around.
