As far as my experience of matrimony goes -- I think it tends to draw you out of, and away from yourself.
Parents are trying to be friends with their kids rather than draw the line and tell them what proper public behavior would be.
Why go now? That is the question people asked when I announced I was retiring. A combination of things made me feel it was all drawing to a natural end.
I draw the line in the dust and toss the gauntlet before the feet of tyranny, and I say segregation now, segregation tomorrow, segregation forever.
No, I don't want you to draw any conclusion. I want you to listen to what I just said.
One great function of Bible verses: To keep us from drawing false inferences from other Bible verses.
God draws near to the brokenhearted. He leans toward those who are suffering. He knows what it feels like to be wounded and abandoned.
And I agreed the feeling of action as he was flying or jumping or leaping - a flowing cape would give it movement. It really helped, and it was very easy to draw.
No longer do I sing, dance or draw pictures; but God has granted me the gift to do them all in my stories.
I subscribe to the myth that an artist's creativity comes from torment. Once that's fixed, what do you draw on?
I loved painting and drawing for many reasons. One of them was that all it really required was me, a pencil and a pad. It was something I was passionate about, and still am.
On the iPhone I tended to draw with my thumb. Whereas the moment I got to the iPad, I found myself using every finger.
The rain forest has Sting. Now Siberia has Jack Dee. Someone had to draw the short straw. In this case it was the rain forest.
To do a drawing for a painting most often means doing something very sketchy and schematic and then later making it polished.
There's something about being afraid, about being small, about enforced humility that draws me to climbing.
When I was a kid, I never felt that what I was drawing really represented me; it was just something I enjoyed.
Superman tends to stand very upright, and he's very symmetrical, and those are actually the most difficult poses for me to draw.
I'm not interested in characters who aren't broken. I'm not interested in happy people. It just doesn't draw me as a writer.
I would like to thank the people who encouraged me to draw army cartoons at a time when the gag man's conception of the army was one of mean ole sergeants and jeeps which jump over mountains.
I don't tend to cast roles in my head because I spend so much time with these characters and the drawings that they're complete in themselves, you know what I mean?
Almost every scene, I re-think as I'm about to start drawing it, and at least half of the time I'm changing dialogue or whatever, or adding scenes or different things.
