I like the idea of up-and-coming actors nowadays being a little different and not necessarily the drama-school stereotype, being a bit more edgy.
I think it's very rare that you see girl friendships on television. It's always cattiness and all that drama.
I always wanted to be an actor, even as a little kid. So I went to drama school in the late '60s at Carnegie Mellon.
I always try to create conflict and drama in my books; it's the engine of the novel.
I think that there's a fine line between comedy and drama.
I've done a lot of drama, and comedy was the one genre I was not being offered. So I became obsessive about getting one.
Yeah, all drama teachers are very effusive, very demonstrative, very emotionally open, very big, and gesticulate a lot, and are very physical.
My taste in watching things runs from dramas and low-budget films to high-end fantasy/science fiction.
In a drama of the highest order there is little food for censure or hatred; it teaches rather self-knowledge and self-respect.
I would like to explore comedy more. It's not something that I've done a lot of. Obviously, I'm very at home in drama. I like everything.
I've always felt like the reason I became an actor is because I look for more high drama than what I had at home.
I believe we owe our young an education that captures the exhilarating drama of science.
I owe the little formal education I got to my drama teacher, Mr. Pickett, who got us to read Shakespeare, Moliere, and other classics.
When I want to relax, I plop down on my couch and watch some great movie, usually a British drama - anything with Colin Firth.
The audience wants to be attracted not by the critics, but by a great story. You must deliver to the audience emotion - and when I say emotion, I mean suspense, drama, love.
I had a great drama teacher in high school, and that's when I started to learn about the history of theater.
I started performing in high school. There was a pretty great drama department at my school, and that's when I started doing plays and musicals.
'King of California' was just, I thought, a really great, fresh, original kind of script. I loved the tone, the mix of tragedy, comedy, and drama, and that it was a good part.
I told my agents that I love Holly Hunter and Frances McDormand and all of these women that are good at doing comedies as well as dramas.
There's an ecstasy about doing something really good on film: the composition of a shot, the drama within the shot, the texture... It's palpable.
I make dark dramas, movies about people living in desperate fear who then overcome that fear and find a heroic side to themselves.
