I just love doing broader work - I always get asked to do fairly heavy-duty, intense dramas and interesting, psychologically intense characters. But you know, it's nice to make people laugh sometimes.
I love singing! I was a musical theater girl in high school. We were always singing and dancing around, and just doing little community theaters and high school musicals. Then, when I got to NYU, I focused more on drama.
'Upstairs Downstairs' somehow bestrode the different genres that had come before it to create a new drama entity. I suppose that's one of the reasons why it became so instantly popular.
As a novelist, I like the contained drama and complexity of the courtroom, though I don't watch those shows on TV. I prefer the hospital shows because I wanted to be a doctor.
One would like to say in the aftermath of the 2008 election that everyone lived happily ever after. But the American drama, especially when it involves race, is always more complicated than that.
When the drama attains a characterization which makes the play a revelation of human conduct and a dialogue which characterizes yet pleases for itself, we reach dramatic literature.
I carried on acting during school holidays and was all set to go to drama school when I was offered my first professional job appearing in 'King David' with Richard Gere.
It's not any desire on my part to start playing dads, but it's a convention of drama. If you don't get the parts of young people going out to nightclubs, you have to play their fathers.
Mystery writing involves solving a puzzle, but 'high suspense' writing is a situation whereby the writer thrusts the hero/heroine into high drama.
There's a specificity of language that's required in Shakespeare that most drama students in England deal with - a specificity of language that is somehow not as clear in a lot of American schools.
I received an OBE from the Queen, which probably doesn't mean anything in America but is quite nice in England - the Order of the British Empire for services to drama.
You are a dancer in this great stage we call life. Your imagination is the writer and thoughts are the director of the dance drama. So unleash your thoughts to dramatize your dance.
Now, drama is quite useful at helping us to understand what our position is and, conversely, we might then understand why our theatre is being destroyed.
My life is interesting enough with out you adding drama, thank you very much. Now can you please leave?
I knew I wanted to be an actor when I was growing up, really. So when I decided to go to university instead of drama school, it was with the intention of becoming an actor afterwards.
When people ask what I write about, that's what I tell them: 'The drama of human relationships.' I'm not even close to running out of material.
Well, ever since I was little, I knew that singing was what I wanted to do, and then I got into, you know, doing drama club and community theater.
It's a basic tenet you learn at drama school. If you're playing someone evil, you can't make an objective moral judgment. You've got to get inside the character and empathize as much as possible.
Running my show is really like an actor being in repertory but where, in one day in one performance, you do scenes from a drama, a farce, a low comedy and a tragedy.
I consider myself a 'local' actor in France. I started out in France, I went to drama school in France and the French film community was very welcoming to me when I was a young actress.
I guess I don't have much interest in writing straight drama. So whatever subject matter I choose will ultimately be dealt with in a comic way.
