You don't learn acting, you nourish it. I don't regret not going to drama school because I was very afraid of all the lessons. I'm allergic to technicality.
You cannot say, because I am from Naples so I like the mixture of drama and comedy all together.
Nothing can ever be a rule in drama, because then you're saying certain things won't ever happen, and that would be very boring.
You would free yourself from so much stress and drama if you just understood and embraced the truth that you are enough.
How do I have productive days with minimum drama? Simple; I mind my own business.
One thing that bugs me in comedy is when somebody does a fake cry, you know, like they fake cry in a comedy. But in a drama they'll really cry. That bugs me.
I'm grateful to be working. The most exciting thing for me is that I never get bored - I've done comedy, drama, musical theatre and now Shakespeare.
I get a lot of flack from critics that my comedies are all over the place, my dramas are all over the place, they're schizophrenic - as if I don't know that!
Crime dramas will never go away as long as people turn to television for, among other things, reassurance and comfort.
I like horror; I like comedy; I like drama; I like action; I like female heroes.
For me, hour-long drama was always the thing I felt the most comfortable doing, and I've played so many dramatic roles in the theater.
I went to Yale's drama school for theater, so we did tons of Shakespeare; then, I got out of school and said, 'OK, it will be Shakespeare,' and it was like, 'Or, it will be commercials and soaps.'
I was called Matt Dillon's brother my whole career basically until 'Entourage' broke me free of that and now people call me Johnny Drama instead.
Horror is a totally different animal. It's intense. You can do drama or comedies, but in horror, you really have to trick yourself into believing a lot of unbelievable phenomena.
It's not that we have more patience as we grow older, it's just that we're too tired to care about all the pointless drama
You do develop a taste as an actress: Chekhov, Ayckbourn: it's the combination of comedy and human drama. I would never want to do anything without comedy.
Unlike fiction, which you create before you go into production, with reality you kind of create it after everything is produced. The drama and the storytelling is really done in post.
My first paid role was my first job out of drama school, which was 'Just William.' It was a BBC TV show. I played Ethel.
I come from a very close class. I lucked out because drama schools are often very competitive... I have fourteen classmates.
Anyone can write. But comedy, you've got to do some writing. You get one comedy script to every 20 dramas.
There's no reason to do 'ex and the City' if it's not going to be everything 'Sex and the City' is, which is vibrant emotions, comedy, drama... and also, style.
