As far as dramas are concerned, it's considered passe for playwrights to turn out anything the average person can understand.
Sometimes it can be bad to have too much family. Everybody gets involved in your problems, giving their opinion, gossiping, and making drama. But when bad things happen, they will be there to support you.
I was the suburban kid of Scottish parents, and the idea of an acting career was so beyond my experience. I didn't even know there were drama schools until a friend told me.
When I started drama school, theatre was the main draw. I never had any movie star notions. Not that there were family ties to the theatre, either.
To my family and friends, I'm very definitely a clown. But do you know what? Doing a drama would almost seem easy because I wouldn't need to find that gag in a line.
Movie studios aren't making too many dramas anymore; they're in the superhero business. Material for television is much, much stronger for actors now.
I was pre-med, so I was going to go into the family business, more or less. But I came to my senses, luckily, and backed out, and decided to go to drama school.
Comedy's my first love. I love that so much. You play comedy in drama, too. The difference between genres doesn't really change the method of acting.
When I first got out of drama school, my original manager tried to get me to change my name because people were having trouble spelling it and saying it.
'Days' has always been strong as an icon in TV history, and it's still going on strong and represents the genre of daytime drama so well. I'm proud to be a part of it.
France, for example, loves at the same time history and the drama, because the one explores the vast destinies of humanity, and the other the individual lot of man.
Luckily, the public school system that I was in had a really great drama program, so I plunged into that. It really sort of kept me afloat because I was bored in school.
I have a vision of artists putting into film, drama, literature, music, and paintings great themes and great characters from the Book of Mormon.
I owe a great deal to Harold Hobson, doyen drama critic of the 'U.K. Sunday Times,' who championed me as Shakespeare's Richard II at the 1969 Edinburgh Festival.
It's great to have something to dress up for. You know, I spent three years in slacks at drama school, so now I like putting a dress on.
Overall, the anarchy was the most creative of all periods of Japanese culture for in it there appeared the greatest landscape painting, the culmination of the skill of landscape gardening and the arts of flower arrangement, and the No drama.
When I left drama school, my fear was that I'd get pigeon holed into comic acting and I did so much to counter it that I got stuck in the opposite.
My faith is the grand drama of my life. I'm a believer, so I sing words of God to those who have no faith.
I never want readers to be comfortable, to feel like we're in a comedy or a drama. Life is never just one of those things. Life is a balance of all those things.
I think my life has everything, you know; it has comedy, has drama, has action.
A mother's life, you see, is one long succession of dramas, now soft and tender, now terrible. Not an hour but has its joys and fears.
