Whether that's an action film or a comedy or a drama or anything in between, I'm willing to prove that I can play with the big boys.
'Hibakusha' is an animated docu-drama that Choz Belen and I are directing, and it will take you through the earliest memories of a Hiroshima atomic bomb survivor named Kaz Suyeishi.
Fantasy and drama appeal to us. They are socially acceptable and make you feel good about yourself. Moreover, you get rewarded for being cleverly ignorant.
I took a drama class in elementary school, and I just remember having so much fun with it. From there, I just studied, got better as I went along, and continued to grow.
I find that comedy is my specialty, but drama is slowly starting to move up in that rank. I've always liked playing a character that has depth and that I'm able to bring my own niche to.
You're playing a character in a drama who happens to be based on someone who existed. It's never going to 'be' that person, but it's based on someone well-known, and you want to create enough of that person for it not to be a distraction.
For me, comedy literally is way more terrifying than doing drama, so it's always about stretching what I think I can do and putting myself out there in different context.
Obviously neither 'American Idol' nor 'Dancing With the Stars' is a variety show in the classic sense, but the way they incorporate elements of drama, comedy and suspense is moderately ingenious.
I was on the cheerleading squad and drama and the choir, but I was friends with everybody. I was not a partier. I was too Type A and crazy about my grades, but I was still there at everything.
I have breakups that I can credit to every song. In my twenties, I picked people who would create that dysfunction and drama, so I could draw upon it.
Drama, can never outrun, outweigh, or outlast Dreams. Dreams, always has hope cheering it on. And Victory, is always waiting at the finish line.
I actually studied in college, for the three semesters that I stayed in school, I don't recommend that, but I studied theater, and in high school I was involved in the drama department.
'Skins' wanted to create a new thing by actually casting real teenagers. I think it was very brave of them. They also wanted to give the opportunity to people who didn't go to drama school.
People need to be peppered or even outraged occasionally. Our national comedy and drama is packed with earthy familiarity and honest vulgarity. Clean vulgarity can be very shocking and that, in my view, gives greater involvement.
My parents were married for sixty-five years, and I was married for about ten minutes, my first year at Yale Drama School. Something, somehow, didn't get passed on to my generation.
Live television drama was like live theater, because you moved without thinking about the camera. It followed you around. In film you have to be more aware of what the camera is doing.
My husband is leaving me. No dramas, no slammed doors - well, OK, a few slammed doors - and no suitcase in the hall, but there is another woman involved. Her name is Dementia.
I was dreading all of the ghost stories of working on American television, not in the least, the length. In Britain, a series is six episodes of an hour drama, maybe sometimes eight, but never twenty-two, so I was petrified of that.
The idea of withholding a massive secret is obviously quite exciting to some people. It is also the basis of much classic drama, of course, from Sophocles onwards.
Whatever kind of movie it is, you're going to be more into it when you care more about the drama, or you'll have a better laugh if you feel like you know the people better.
I think some period drama can be quite alienating, but 'Downton' isn't. This is going to sound quite, um, pretentious, but someone said that it's like a soap written by a poet.
