I believe that in a way, sadness is happiness for there can be no wrong without right, no light without dark, no success without failure, no relief without pain, no love without hatred and no Snow White without the evil queen.
I don't think I'm ever going to get to the point where people run across a freeway to take a picture of me. I really don't see it getting to that level of hysteria unless I have an affair with the Queen of Sweden or something like that.
Crossing the ocean even on the Queen Elizabeth 2, you know in your bones, with every mile gained, that you have left your familiar world behind. You feel the full measure of the earth and heavens.
As for the historical inspirations I drew on in writing The Snow Queen, I suppose I would call them more cross-cultural inspirations, though they frequently involve past societies as well as present day ones.
I wasn't the typical pageant girl - I was a little more nerdy, and they gave me a voice. I created the Queen of the Universe pageant, which is charity-based, to benefit UNESCO. For me, the most important thing is that contestants have a charity-based...
Amsterdam Vallon: Suppose you back an Irish candidate, of my choosin', and I'll deliver all the Irish vote? Boss Tweed: That will only happen in the reign of Queen Dick.
[a jukebox begins playing Queen's "Don't Stop Me Now" while the zombie pub owner attacks the group] Shaun: Who the hell put this on? Ed: It's on random. Liz: For fuck's sake!
Queen Paola and I will never forget the ties that have grown between the people and us during the course of the years. Thank you for your confidence, tokens of sympathy and support, sometimes even with a little criticism. We always loved you.
There's definitely a luxury to the fluidity of not being a mega-star. I've done a ton of really, really odd, off-the-wall movies. There's this movie I did called 'Queens of Country' a couple of summers ago that is so bananas, and if I was at a certai...
[before leaving] Dilios: Sire, any message...? King Leonidas: For the Queen? [Dilios nods. Leonidas removes the wolf's fang pendant from around his neck, and presses it into Dilios's hand] King Leonidas: None that need be spoken.
Peg: [to Laurie] Why are you so depressed? You'll forget him in a week. After you're elected senior Queen, you'll have so many boys after your bod.
Rose: [as Charlie tries to stop her from revealing their plan] Oh stop it, Charlie, we've been through all that. I'm certainly not going to outlive you and that's all there is to it!
Charlie: It's a great thing to have a lady aboard with clean habits. It sets the man a good example. A man alone, he gets to living like a hog.
I wanted the feel in these books to be like an epic fantasy, with kings, queens, dukes and court politics, but of course like what I was explaining before, about making the science make sense, you have to make the politics make sense, too.
Reading about Queen Victoria has been a passion of mine since, as a child, I came across Laurence Housman's play 'Happy and Glorious,' with its Ernest Shepard illustrations.
One year you go in for auditions, and everybody thinks you're the queen of comedy, and the next year, you're so 'yesterday,' and it's not because you've done anything, or your ability has changed; you haven't been in work because you've been putting ...
Every civilization sees itself as the center of the world and writes its history as the central drama of human history.
How else to make a dent in an object as immovable as patriarchy itself...?
Periods' are largely an invention of the historians. The poets themselves are not conscious of living in any period and refuse to conform to the scheme.
Attempts to connect men's circumstances too closely with their literary productions are usually, I believe, unsuccessful.
Man with his new powers became rich like Midas but all that he touched had gone dead and cold.
