Any teammate of mine that had a kid and a boy that was capable of playing baseball, I think I set a terrific example of 'Don't do this' and 'Don't do that.' And that's one of the things that I'm most proud of.
What I say goes. I'm hitting shots that I want to hit. I'm doing the things that I want to do. I play it my way.
This is a group effort. This is group theatre. This is no big star turn. You could do things with it to do that but it would just be out of kilter. This is one reason I like this play. This is a unit.
That's what fiction writers do: create characters and do terrible things to them for the entertainment of others. If they feel guilty enough, they write happy endings.
Ford didn't know what to do with Mister Roberts that wasn't repeating what was successful in New York. He was trying to do things to the play that would be his in the film.
Even on the drum level, it's all about stating your theme, going back to certain things that need to be emphasized, not doing fills for the sake of doing fills.
You do not have to be an economist to know that putting up the cost of employing someone is a pretty barking thing to do when you're trying to get out of a recession.
One of the cruelest things you can do to another person is pretend you care about them more than you really do.
There are a million things I can think of that I would I want to do. Reporting like you, would be one. A talk show host maybe, also. I want to do a lot.
Only three things are real: God, human folly, and laughter. Since we can do nothing with the first two, we must do what we can with the third.
I don't do girlfriendy sort of things, like shopping or going to spas. Spas fill me with horror. Frankly, I'd be more interested in doing a walk through the sewers of London!
Jesus said, 'Greater things of these you shall do...' Become a peace builder, a bridge builder, not a destroyer, and the way you do that is through friendships and relationships, and through authentic character.
I admit, I do a lot of projects, but it's because I'm in a position now where I'm reading a lot more scripts and plays and things, and I'm really listening to offers and trying to think what I want to do at any given time.
I can't do Twitter or Facebook, mostly because I feel like I'm the type of person who has to regiment the amount of time I spend doing certain things or I'll just wade in it, and then I'll never come out.
The one important thing you do as boss is you set the standard. The minute you go in and say 'we'll let it go this time,' you set a new standard, which is lower. So you cannot do that.
I loved to watch cartoons and even made little stop-motion films in the backyard. At the time, I never really thought that it was something you could do for a living; it never actually hit me that people do that sort of thing or I would be capable of...
The thing I hated about it was that you live in your trailer all the time and then they call you and you do maybe two dozen lines. Then they do that for three hours and you wait and wait and wait, and I don't like waiting.
Our career path has tended to be the most perverse and contrary approach to the entertainment industry imaginable, while at the same time doing the kinds of things that you have to do, the videos, the photos and all that sort of stuff.
When I was a freshman, I didn't have that much time for extra-curriculars, so I didn't do any theater stuff. Actually, I didn't do it with my school. I did theater with this thing called Teen Source.
If the employees fundamentally trust the C.E.O., then communications will be vastly more efficient than if they don't. Telling things as they are is a critical part of building this trust.
Hoggle: What did you have to go and do a thing like that for? Sarah: Do what? You mean rescue you? Hoggle: No! You kissed me!
