There's always that discussion about fiction about how do you market it - these are books for boys, these are books for girls, these are books for adults. Actually, they're just stories, and if they're good stories, then they surpass those boundaries...
I have always seen the United States as a force of good. And I have learned that there is the idealistic part about what we can do at the U.N. and there is a doable part. And I have learned what is more doable.
I meet so many pretty girls who are like, 'Here I am! Don't you want me because I look good?' That concept is so weird to me. I want to know, 'What else do you have going on?'
Everything I do, it's a bit painterly. I like being surrounded by objects, mostly on paper. I like the images. I like the painting. I like good photography. It's something that makes me an emotional connection, and I feel comfortable around it.
I love to dress up. You have to have a sense of fun in life, too. We can all be serious and work and do our bit, but every now and again you have to have a good giggle.
I've never been good at making smart career decisions or doing the right strategic thing, and yet somehow it's all led me to exactly the kind of career that I would have dreamed of having - if only I'd been smart enough to dream something like that.
It's good to have it over with. I worked on it a long time, and I didn't know what people were going to think of it. Would people like it? Would they buy it? So far it's been doing pretty well.
I think what makes a good actor's director is somebody who understands what I'm doing and is respectful of it, but who also has a vision and is directing me toward their vision in a way that feels productive.
Really, if I'm gonna eat a meat, I'd rather eat venison than anything and I do like it a little on the rare side. That's probably my favorite meat and I've had some awfully good venison in some of the great restaurants.
The fallacy of monetary policy in the U.S. is to believe this money will go to the man on the street. It won't. It goes to the Mayfair economy of the well-to-do people and boosts asset prices of Warhols... Very happy. Very good for the Fed. Congratul...
When I shoot actors, I have that dilemma. I want the actor to be good, and sometimes I have to push them to a place that isn't pleasant. I always think: 'Is it worth doing for the sake of the movie?' But I have to remember the bigger picture.
Even when I do roles that are really profoundly abusive, like, I would say, in 'Deadwood' - there's a guy who's a breeding ground for ignorance and hurtful behavior - the fact that people are so taken aback by that is a good thing because they're loo...
What's distinctively shocking about Machiavelli is that he didn't care. He believed not only that politicians must do evil in the name of the public good, but also that they shouldn't worry about it. He was unconcerned, in other words, with what mode...
I love Los Angeles, and it's been very good to me, but if everyone is running around telling the stories, who's living them? You don't play characters that are celebrities - you play guys who know what to do when their septic tank's blocked.
One good and bad thing about New York is there's so much exciting stuff and so many people doing something interesting. I actually find in New York that you become more careerist and more focused on what's the newest, hippest thing.
If I feel strongly, I say it. I know I can do more good by being vocal than by staying quiet. I'd have a whole lot more money if I lied, but I wouldn't enjoy spending it.
My 2005 calendar we actually did a shoot in Lake Las Vegas. Since I had requests do some swimwear and athletic shots we tried them and they came out good so we inserted them into the new calendar.
My friends, we all improvise together usually. So we write what I think is a good script but always leave a lot of room to find stuff on the day; and we always do find something. That's the advantage to having actors who are, in their own right, writ...
I don't have one role that I want to play. I guess... I want to be a producer. I want to be an activist. I want to be proactive in bringing about work for men, women, boys, girls, everybody who is good at what they do and deserve a shot at it.
You look at the part in '12 Years A Slave,' you finish that script - I mean, it's a powerful story. You go, 'Man, I have to play a bad character in this.' And then you go, 'Well, do I want to play a bad character and contribute to a good story?'
I was very fond of Princess Diana. She used to have me over to lunch to ask my advice. I'd give her good advice, and she'd say: 'I entirely agree. Paul, you're so right.' Then she'd go and do the opposite.
