Lisa: Where does a man get inspiration to write a song like that? Jeff: He gets it from the landlady once a month.
David Mills: I seem to remember us knocking on your door. John Doe: Oh, that's right. And I seem to remember breaking your face.
[William Somerset looks at an object in the road] David Mills: What do you got? William Somerset: Dead dog. John Doe: I didn't do that.
William Somerset: If John Doe's head splits open and a UFO should fly out, I want you to have expected it.
Young Charlie: What time does the library close? Ann Newton: If you'd read as much as you should, you'd know it closes at nine.
Bullet Tooth Tony: I'm driving down the road with your head stuck in my window. What does it look like I'm doin'?
Simin: He [Nader's Father] Simin: doesn't even know who you are. Nader: He does not know me but i know that he is my father.
[watching Rita Hayworth in Gilda] Red: This is the part I really like, when she does that shit with her hair.
Mrs Jennings: [hoping to cheer up Marianne who is grieving her loss of Willoughby] Does she care for olives?
Doyle Lonnegan: Your boss is quite a card player, Mr. Kelly; how does he do it? Johnny Hooker: He cheats.
Lee: Clarence, if you don't know shit, then why does he think that you can sell it? Clarence Worley: [Chuckles ] I bullshitted him.
Russell: A wilderness explorer is a friend to all, be a plant or fish or tiny mole! Carl Fredricksen: That doesn't even rhyme! Russell: [offended] Yeah it does.
Robert Graysmith: Does anybody ever call me names? Paul Avery: What, you mean like retard? Robert Graysmith: Yeah. Paul Avery: No.
As a busker, one thing that does not work is self-consciousness. A busker needs to be working. A busker needs to shed all ego and get down to work. Play your songs, play them well, earn your money, and don't get in people's way.
If another euro country fails, so does Slovakia. Our economy is 80% open and if the citizens of Spain and Portugal have no money to buy cars made here in Slovakia then that will be bad for us. Everything is connected.
That is why the analogy of stealing does not work. With a thief, we want to know how much money he stole, and from whom. With the artist it is not how much he took and from whom, but what he did with it.
There's nothing inherently or patently wrong with anybody who does well, works hard, earns a living, betters themselves. I'm not against any of these things. It's about how you make that money, and then what you do with it.
I should write a musical. That is probably one of the final areas that I should pay attention to, because it does kind of involve everything. It's got theatre, it's got young, pretty people... And it's got money!
What tournaments want to do, typically, is support charities in their community that need the money and charities that are impactful to their community. The better the job the tournament does for the charities, the better they are able to sell the to...
Assuming that man has a distinct spiritual nature, a soul, why should it be thought unnatural that under appropriate conditions of maladjustment, his soul might die before his body does; or that his soul might die without his knowing it?
Show me a Scorsese film, and I'll show you a movie where he's taken risks. It's just his nature. He's an artist, and artists take risks. He always does what he believes in.
