You really think that on my films people tell me what to do? I don't think so. On my films I decide.
When I do short films, I try to do something completely out of my comfort zone, out of my element.
After all, film is so porous, and to my mind, so oddly occult, that I think that film itself absorbs odd energies like a living skin.
I'm a character actor but unlike a lot of character actors, I don't look radically different from film to film and there was a bunch of them at once.
The director is planning on titling the film 'Yummy Fur' so we are probably planning on changing the title of the book to 'Yummy Fur' to match the film.
When it comes to films, people often don't differentiate between the message of a bad central character and the message of the film itself. They are two separate things.
Acting in 'Command & Conquer 3' called for me to interact with the player and to look directly into the camera, which is a big no no when filming for TV or film.
The audience too should be respected by being presented with a film as they remember it, and for those who have not seen it, as it was intended to be seen. Anything less is a degradation of the film and its audience.
With films, you get to develop a set of characters, and then, at the end of the film, you have to throw them away.
Acting's all about the confidence you exude, especially on film. I mean, nervousness isn't attractive in anyone, but a film camera will seek it out and punish you.
I want to make films and write films, which will happen, I'm just taking a different route right now. I'm a bit of a chameleon with the whole entertainment industry so to speak.
I think film should raise questions, not give answers. I think film should challenge people to reflect, debate and get by themselves to the answer that fits them.
I think, often with Australian films, if an Australian film has been given the seal of approval by an offshore festival or an offshore release, then it does mean a lot to a local audience.
As you can probably tell, I like films and directors that bring a totally unique style to filming action.
I like black and white films. I don't exactly know why - probably because there is a stylization which is removed from actual life, unlike a color film.
They seem much rarer now, those auteur films that come out of a director's imagination and are elliptical and hermetic. All those films that got me into independent cinema when I was watching it seem thin on the ground.
I do love doing films; I love going out and creating different characters for each film, and not having to be stuck with one role for many, many years. It's a creative liberty that I love.
The film camera's ability to physically move through space, not zoom through space - every time we have a video camera the movement is through zoom; every time we have a film camera it is a physical movement.
I prefer film to TV because of the amount of time film affords you that TV doesn't (though theater is probably my favorite and the scariest place of all).
Every time you work, it's a new film, and generally when you work with auteurs, people that write and direct their films, there's always an originality.
I did this film for less money than it costs to stay in this hotel. We shot it in 20 days. We couldn't screw up takes for fun because we didn't have enough film.
