I didn't feel physically sick. But mentally. My mind was twisting in so many ways. (...) We once saw a documentary on migraines. One of the men interviewed used to fall on his knees and bang his head against the floor, over and over during attacks. T...
The paradox is that some of the most artistically valuable contemporary photographs are content with being photographs, are not under the same compulsion to pass themselves off - or pimp themselves out - as art. The simple truth is that the best expo...
Creative work bridges time because the energy of art is not time-bound. If it were we should have no interest in the art of the past, except as history or documentary. But our interest in art is our interest in ourselves both now and always. Here and...
One day, back when I working at a video store, a woman accompanied by her two small sons walked up the counter with a tape box displaying a man slicing off someone’s head with a chainsaw. “Does this have any sex in it?” she asked. In my mind, i...
We have too much respect for the printed word, too little awareness of the power words hold over us. We allow worlds to be conjured up for us with very little concern for the implications. We overlook glaring incongruities. We are suckers for alliter...
How may a mortal, face and defeat the Kraken
If I want to be the sexy Bipasha Basu, then I'll do a song here or a glam role there. But I want to be part of films that are watched, films that earn money and are new age, with author-backed roles.
There is a film called 'A Separation.' If you see it playing, go see it. It's beautiful. It's so well written and the acting is amazing. It's one of those films that you would love to be a part of.
I had such an amazing time filming 'Major Movie Star.' I loved everyone in the cast. They all brought their own spirit to the film, and I hope that is what will be seen on screen.
Sometimes you do a film because the script is amazing, sometimes you do it because you get to work with amazing people, and sometimes you do a film because they pay you money.
I think bad movies are made around the world, not just in Hollywood. There are as many bad art films in the whole world as there are bad commercial films.
I'm very manipulative towards directors. My theory is that everyone on the set is directing the film, we're all receiving art messages from the universe on how we should do the film.
Silent films were, I think, more different than we know to sound films. We think of it as simply that we added dialogue and in actual fact I think it was an entirely different art form.
If 'formulaic' is somebody who is unlikely to succeed starting down a process and succeeding - then isn't that what most films are about? And art films are about people who aren't likely to succeed and then don't succeed.
When we started Angels & Airwaves, we wanted to produce our art on different mediums, but the film was an ambitious one because we actually didn't go into it thinking we could make a big feature film.
That's the greatest sin a director can commit; to make a film simply because he wants to make a film.
I have this theory that your first film is always your best film in some way. I always try to get back to that moment when you're not relying on things you've done before.
I love acting, every job is a dream job when you're an actor. I'd like to do eventually more film work and to collaborate with the best actors and directors in film.
When 'Mulholland Dr.' was voted the Best Film of the Decade, that was very meaningful for me. That film opened up incredible doors for me, and I believe that that was the reason I was given opportunities to play all kinds of characters.
I don't pay much attention to the press. My films always get good reviews and bad reviews. I just try to make the best film I can.
The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.
