Walt Disney wasn't making films for kids. Neither were the Muppets. A lot of the great, really cool films, they weren't making them for kids.
When you see the films of certain young directors, you get the impression that film history begins for them around 1980.
Sci-fi films are the epic films of the day because we can no longer put 10,000 extras in the scene - but we can draw thousands of aliens with computers.
I made a French film called 'Merry Christmas' which is a very European film. It's a World War I piece.
I did two films that have a great following. One is 'Caddyshack,' one is 'Tron.' To tell you the truth, most people don't know that it's me in both films.
You can have a great character in a really bad script, and the film will never be seen. It's just too much work to commit to a film and not have it released.
Still, the film nearly didn't happen a number of times. There were great arguments with United Artists about how to reduce the cost because they were nothing if not conscious of the price of the film.
There was a time when I desperately wanted to be part of a Yash Chopra film, not because he was a great director, but because I was an outsider and I wanted that validation of being accepted in the film industry.
The great thing about filming a film is that you all have your final day's shooting, but you always know that you're all going to be coming back for the premiere.
I'd like to think at some point instead of it being a woman's film or a man's film, it is just a great story, and both sexes can go and get the same enjoyment out of it.
As I began making my feature films, it was a great adventure. It was about constructing something I saw in my head or I had designed on storyboards and capturing that on film.
I knew Secrets and Lies was a great film, but I didn't expect it to get the attention it did because none of his other films had and I thought they were just as good.
So, thanks God, our films, our first films were suddenly being appreciated by the Western media; especially France was very good, and Switzerland was very good.
I'm not making films for middle aged journalists, who are mostly men. I make films that hopefully entertain people, where they can learn something about life.
I acted in theater and I took film classes when I was 12 and just obsessed over it. I loved it and spent hours and hours in the film studio learning and watching.
I used to love going on a junket and promoting a film when it was not a 24-hour news cycle, and when there weren't so many media outlets. You could actually talk about the film.
I would love to produce a film. I have written a script and am in the process of writing another, so maybe it will happen down the road. I would love to do a film in Africa.
My brother knows more about film sets than I do, because he works at New York Film Academy.
My agent in London says all New York films are wonderful if they're really New York films because they're like travelogues.
Clearly any film company that makes a film is always going to talk about sequels particularly if they see something as being successful, which Werewolf was.
You know, I grew up watching all kinds of films. So, as an adult, I wanted to be involved in all kinds of plays and television and film.
