The riskiest thing I have done in my fifties is to do a Polish accent for a new film. I had a great time working on it and two wonderful people to guide me. A dialect coach that I have known for thirty years and a Polish actor.
We're under the Arts Council under the Minister for the Arts. The Minister for the Arts and the Minister for Industrial Development have great difficulty in agreeing over who should fund what in terms of film.
What's so great about Sundance is that they only accept such a small handful of films per year for dramatic competition, so you know when you're going to Sundance that you're going to see top-quality projects.
I'd like to think that we strive in film and theatre to tell great stories, and I believe in the power of storytelling in our culture.
I like the sensibility of Australian film a lot and the crews are fantastic. Great characters, wonderful people and no line between - I think in Hollywood they have this line between actors and crew a lot, and that just didn't exist, which I really a...
I would like to do a science fiction film some day. Star Wars seems really to have destroyed the genre, which at one time offered great musical opportunities.
I wish I knew what was next. I got this movie without planning to. I'm really excited to be continuing in film because it's a great job but I have my portfolio and resume for any other opportunity.
Film is the only language I speak, and I have been lucky to be involved in some great stories. You don't want to preach to people, but you want them to think about why things are the way they are, the history that is there as well as the possibilitie...
It was very much about performances, the whole ensemble thing was just great - everybody working together. Sometimes it didn't feel like a film set. It wasn't technically driven, it was very, very enjoyable.
I love TV, don't get me wrong. But with film, you're just banging out this one product, and you're not waiting on another script. You have your script. It's great in that way. It's as close to theater as you can get.
'Among Friends' was really well written and had strong characters, and while all the elements were there to make it a great genre film, it also left room for me to put a creative flair on it that wasn't your typical slasher or psychological thriller.
I had to go and sing with the musical director of the film, Simon Lee, who is just incredible, and it went great. I sang with him about five things, things we'd worked on. And then I went to sing for Andrew Lloyd Weber.
There's a great deal of women in film school. I was not the only woman in my class at UCLA. When I went through the Sundance program, it was half women and half men.
When women get great roles in life, they start to get great roles in films and TV. Look at Janet Reno, Madeleine Albright, and Mrs. Thatcher. Because those images are coming at us in life, they are reflected in acting.
I guess I judge my films by how pleased I am with the work I do, so it's kind of on another level. If they do well at the box office, then that's great. Then I'm really pleased about that too.
What I loved about 'Goodfellas' is that it's a film about bad behavior - but told with great energy and without judgment - but it doesn't actually shy away from the consequences of that behavior in the characters' lives, which I think is similar in '...
'Dark Circles' is a great relationship/character piece and also a horror film. It tinkered with the genre, which I loved. I was sick of seeing the same thing, sick of people just trying to get a movie made.
We work in an environment where your options are to do, you know, Batman 10, so when you get to do a movie that's a really great film like this, people really step up to the plate and enjoy it.
Obviously I've had great experiences with people I've worked with on films - I've married half of them! I should come with a warning sign that says, 'Don't worry, I'm not going to try to marry you. I'm done.'
It's a great thriller or mystery, but on another level it's a film about the fact that, if you only look at a person through one lens, or only believe what you're told, you can often miss the truth that is staring you in the face.
Content that's generated out of America, whether it be film or music, has, in my opinion, much greater impact in sustaining our credibility and our place as a cultural capital. This is our great export.
