When my agents tell me how much I'm going to be paid for a film, instead of quoting a figure, they'll say: 'You're going to make ten pairs of Christian Louboutins.'
There have been moments where I'm like, 'I don't know how I'm going to survive and pay next month's rent.' And the next month I'm filming a movie in New York City.
It's that TV thing. You can be in the biggest film of the year and it will still not have the kind of impact a TV series has. Once you're in people's living rooms, that's it. There's no hiding place.
I buy DVDs almost every week. I'm more of a film buff, so I usually buy more DVDs than CDs, but if I like someone's album, I will buy the CD of it.
I used to do a lot of casual photography - back in the olden times when one used film - but it had fallen by the wayside over the years.
I never feel more alive than when I'm on stage. On film you feel chopped up, you can be acting from the neck up, or the hand, there is a lot of close up.
I wanted to prove that I could do something, so I made a short film. That was in fact my main concern, to be able to show that I could do one.
When people don't like the film, I can take a bullet. I don't mind you talking about me, but I'm protective of my actors, because they bared their soul for me.
Take my wife... please. I'm not saying she's ugly, but when she went to see a horror film, the audience thought she was making a personal appearance.
In theater, you sometimes can only do one or two jobs a year because they're long periods. In film, you can shoot so many. It's quite interesting.
Live television drama was like live theater, because you moved without thinking about the camera. It followed you around. In film you have to be more aware of what the camera is doing.
I told them I belong to the same organizations and clubs Mrs. Roosevelt belongs to, but with a few brave exceptions, I was still unable to do films or television for the next seven years.
You know, the people who do indie film and decide who gets those little budgets? They're mean, man. They're cold and very cool-oriented.
I don't know what I'm qualified to do, film-wise... So it's really down to a director or a casting director to find something that they think I could do.
For me, the most absorbing films are those that address big questions and real ideas but embody them in small examples that we can appreciate and comprehend.
I don't believe in objectivity. I observe the observer's paradox every moment I'm filming. Your presence is changing everything; there's no mistaking it. And you have a responsibility.
I feel I've made the transition from model to actress, but I'm not that secure about it. Lauren Hutton, Jennifer O'Neill - we all know that a few films don't mean all that much.
I have no regret about making 'Heroine'; rather, I am happy I made it. I never shun my films; I stick to it.
My entire career stands on the strong pillars of women-oriented films. This stems from the fact that I am sensitive to the entire aura and mystique of a woman and womanhood.
Nobody in the world knew about Megan Fox until I found her and put her in 'Transformers.' I like to think that I've had some luck in building actors' careers with my films.
The one thing I'm proud of as a filmmaker is that people are entitled not to like my films - that's the privilege of the public - but I think I have my own imprint.
