I like Cronenberg's early work; his '80s films had all these weird, amorphous flesh objects in them.
At this point in my career, it doesn't bother me much that I'm probably hopelessly typecast. I like to work, and horror films definitely keep me working.
I wish I could create an IMAX film that would make my work accessible to a broader audience.
Fortunately, both television adaptations and the film I've been involved with are pieces of work that I'm proud of, so I'm very happy for people to focus on them.
Serious writers pretend they don't care about film adaptations of their work, but it's a colossal lie: We all care.
We work very hard in all of the Pixar films to not make anything in the imagery that causes people to think of something other than the story.
I wouldn't say anything I ever did in film would be something I'd use the word proud about. I've done better work in the theater.
To be able to work with people who I have respected and admired, to be a part of something like the Cannes Film Festival, is surreal and brilliant.
Hollywood... that's not going to be my niche at all. If anyone is going wants to work with me, I would think it's going to be independent films. I'm not 22!
And the Institute sent me a little film footage of Kinsey himself preparing to do an interview for television to talk about his work, so that was quite valuable for me.
We all know that people who've never been on a film set think it's way more glamorous than the people who work on them.
I've seen composers work on 30 films at one go. So, eight or even 10 albums in a year is no big deal.
When you make a film, you like to run it with an audience. They tell you you're narrow-minded or subjective, or that seems too long, or that doesn't work.
For an actor working in television or film, I think it's important to understand how the medium works - how the camera and lenses work and how the sound and the editing works.
I truly loved Jason Reitman. I was there on his first film, 'Thank You For Smoking,' and I'd go work with him to do anything.
The only thing that matters to me is getting to the work - getting to do the work. And I don't really care where it is: whether it's on stage or on television or in film.
I enjoy my work, no matter who I am working with. Even if you give me a solo silent film, I will enjoy it.
Contrary to what many writers imply about the process, nobody forces a writer to sell his work to the film industry.
I would recommend going out for more independent films. You can get bigger roles and really work your acting chops and build a reel.
Tina Fey is part of a generation of women who have changed the face of comedy at 'Second City,' 'SNL,' in sitcoms and in film.
In television, women can really run anything. It can be a comedy, it can be a drama, it can be genre, it can be anything. But in films, women are still getting to the top.
