There were a lot of people dreaming about making films, and they would finance maybe 6 films a year. Because they were funded by the government, the films sort-of had to deal with serious social issues - and, as a result, nobody went to see those fil...
As I had visualized, 'Heroine' is shaping up to be a very contemporary film with a different premise and strata. This film, like most of my other films, is a blend of facts and fiction. The film has a larger span, more characters, and costumes... a j...
I think the original Matrix was really incredible. It was so original and it did so many innovative things with film. It was a much bigger film. Bound was just a smaller film. It was kind of like an old noir film.
I'm not coming from film school. I learned cinema in the cinema watching films, so you always have a curiosity. I say, 'Well, what if I make a film in this genre? What if I make this film like this?'
I genuinely believe that if you want to get in the film business, get in the film business.
But if anyone so much as threatened them because of what Kaia had once done, she would turn the Slumber Party Massacre into Blood, Bath and Beyond, a documentary by Kaia Skyhawk.
When we were all kids, there was one particular trailer that I think we can all remember. That was the trailer for 'Close Encounters of the Third Kind.' There was an amazing teaser trailer with all this weird kind of documentary footage. We were like...
I would encourage people that, if you are waiting for the end of 'The Office,' to re-tune in right away. It is the beginning of the end, where we start to break down what's going on with this documentary and see behind the scenes with who is involved...
I like the idea of the documentary as a portrait. There's not a chronological beginning, middle, and end structure. You build something in the editing room that's shaped by getting to know the person and digging deeper, unpeeling the layers of them a...
I like documentaries because there's nothing to nitpick or criticize about scenes if they aren't just right. It's about honesty and real-life circumstances coming out. Granted it can be swayed by how people tell that story, but overall, I like it bec...
As a documentary filmmaker, I'm very respectful, and my interview style is not intrusive. I don't really have an agenda. I just go in there, I mumble something or other, I wait for them to speak, and I wait for them to stop.
Stories, as we're taught in journalism school early on, are told through people. Those stories make our documentaries powerful. You can explore someone's culture, you can explore their experience, you can explore an issue through human beings who are...
There's a great documentary on Tupac called 'Resurrection' about the last few years of Tupac's life and how he transformed. And, ironically, how this East Coast rapper became this West Coast icon, back when all that Death Row/Sean Combs stuff was goi...
I've been doing documentaries for about 25 years and want to continue to do that, but I love the idea of working in a different medium. Advertising pushes the envelope creatively, and there is some really great work being done right now, so I'm excit...
Television has its own award. It's called the Emmy. It's a good award. I like it. I have one. But you don't see movies like 'The King's Speech' win Oscars and then go to TV and qualify for Emmys. In documentaries, some networks have been able to game...
I had the most incredible English and literature teachers in school, and it really influenced my love of storytelling. It's what made me excited to study journalism in college. I love editorials and documentaries. All of that came from being given th...
I got nominated for my second film as best young director in the Aikido Film Festival in Japan.
My experience of children on a film set, especially on a big film set like the 'Potter' one, is not wholly positive.
Part of the excitement of doing independent film is the complete unknown of what lies in store for the film's future.
I think all writers of my age who are brought up on films probably by the age of 16 have seen many more films than they have read classics of literature. We can't help but be influenced by film. Film has got some great tricks that it's taught writers...
I think the British industry is set up to support British film, if we make films that enable them to support it. If you don't make a commercial film, distributors can't get behind it. If they don't get behind it, the film doesn't do well.