It's cool for me because I'm a director, but I'm also a teacher. I'm a lover of cinema, and I love working with people who are hungry and have the energy to really do better work.
The Dead was cool, It's a great horror story. I went to the casting director of this movie and talked to him, then they called my agent and had me come in and read for it and they wanted to use me.
And I think being a good director is being able to be completely tyrannical and you've got to be an absolute dictator while at the same time, you have to listen and see everything because it can all change on a dime.
I choose my work very carefully, always for the script and the director, and I don't think that's going to change. My work is like a house. It's built on very strong poles.
My guess is that if they now choose to change of director for every other film, it's just because you can't really change the formula, you can merely try to film it your way.
So I started to learn Russian and I was one of those probably way too eager, annoying young actor kids who was trying to change all my lines to Russian, much to the dismay of the director and Nic Cage.
I had a role in 'Crossroads' when I was about 21, and then I went on to perform in 'Small Change' and then 'Piaf' in the Donmar Warehouse, London, and it was when I was there that some casting directors spotted me.
During my nearly five years as director-general of WHO, high-level policymakers have increasingly recognized that health is central to sustainable development.
I'm a writer and director. And the movie I've seen a million times is 'Coming Home,' directed by Hal Ashby and starring Jon Voight, Jane Fonda and Bruce Dern.
I started off as a director, so when I see other actors directing, it gives me hope that maybe they'll put me into that position at some point, too.
My dad was a theater actor, so I would follow him backstage. And my mom was a casting director. The moment I heard the applause and realized it would get me out of school, I was hooked.
Not at all, I wanted to go into medicine. I took science in college. But my dad was a Producer - Director in Kannada films, and someone saw me, and one thing led to another.
At Camp One we were met by Director of Public Works Warwick Greene, grim and grimy. He has been working himself to death to make this transportation plan a success.
In Dreams... well, I was slightly overcompensating with that. I was a bit like a director for hire, so maybe I was putting too much imagery that was familiar to me into it.
Different people have different styles, but there is an opportunity as a director to be a writer in every moment, with every visual cue and every piece of production design. Everything is a decision, and everything can be obsessed over.
Supremely, spiritual directors/mentors/pastors are persons who have a sense of being 'established' in God. Otherwise they are too dangerous to be allowed into the soul space of others.
I love improv. 'Crazy, Stupid, Love,' the script was really great, but the directors were open to letting you try different things. And that felt like a muscle I hadn't exercised in a really long time.
I love the first two X-Men movies because I thought that Bryan Singer did such a great job. He elevated that whole genre. He's a very talented director.
I'd never really done comedy before 'Community,' so getting to work day in and day out with all these great people, directors, writers, and actors, I feel like I've learned a lot.
That is the great pleasure of working with great directors. You get to look at the world through many different prisms. I guess I love talent, whatever form it takes.
I've actually been given a great gift. When I walk into an audition with a director, I'm carrying no baggage. They haven't seen me in anything, even though I've done nine films.
