Whenever I'm offered something, I always read the script and meet the director. I still appreciate just being considered.
As a director, you have to understand what is happening - if I don't understand it, you can't make changes.
Some people are directors and I think they should stay behind the camera.
I'm a director, but I gotta have the hair, the makeup and the heels. My mother would be appalled if I didn't dress up.
With technology you can now be your own record company, director, producer, etc. If you have talent, you can display it on the Internet and the world will tell you their thoughts in the matter of seconds!
Music and language are a vital element. We, as actors and directors, offer it to people who want to experience it. Sometimes the actual meaning is less important than the words themselves.
I never wanted to be a film director but after this experience I really loved it. I would love to do more documentaries but it's difficult to find backing for them.
There is an isolated experience to being a director. It's very communal because there's a crew, but it's only you. You're the one on the hook.
Masood Ahmed brings to the position of director of external relations extensive experience gained in a range of senior positions in international finance and development.
I find that all great directors, and I would include Ben Affleck and Clint Eastwood in that, they have great confidence. And with great confidence comes great freedom for the actor.
Whatever talent I had, I'm sure it helped that my parents were in the business and that I grew up around actors, comedians and directors.
What's weird is that I work with these directors and then I start channeling them. I kind of turn into them a bit - which is cool when you're working with Clint Eastwood.
Ten years ago, it was really difficult for a young actress to walk onto a set and disagree with the director and having that be OK and have a conversation about it and everyone be cool with it.
As I told the students every time I visited a campus, you are the director of your own movie, and if you aren't enjoying what you are doing, change it.
I guarantee you that two directors that are any good can take the same story, change the name of the characters, change the name of the town, and make an entirely different picture.
As a director, you never think about how an audience would respond. You can think about that, but you will never change what you're going to do.
I've been in the director's chair for 'Battlestar Galactica' since its first season. I directed the only comedy that's ever been done in Galactica history.
My biggest role as director on the film is keeping a sense of the overview - how to cast the movie and shoot it in such a way that it will cut together. And how to design the style and tone.
David O. Russell is probably my favorite filmmaker. He's not only a great director, but he's also a great writer.
David Mamet was great to work with. He was everything that I thought he would be as a director. He's incredibly articulate, an easy collaborator. Extraordinarily knowledgeable about film and writing.
As for Tenacious D, of course it could work as a full length movie; all it requires is a great writer and great director with an ability to think outside of conventional film comedy.
