I totally have this thing for Harry Styles from One Direction. But, like, I could totally date the rest of the band as one. I mean, if I could date all of them at one time, that'd be, like, ideal. They seem pretty close, but who knows? Maybe not that...
When I'm directing, I noticed I'm not using my subconscious at all. I'm literally using the whole front part of my brain all the time. When you walk on the set, every moment you have to be there because something's going on that requires attention.
One of those things that I like about TV is that if you get a group of people you like, you can work with these people for months at a time, and you can discover their strengths and weaknesses, and you can use those in the direction where you take th...
It's hard to bring up your children on benefit. It's easier if you can do part- time work, or even full-time work, and actually have a better standard of living, and that's the direction in which we are going.
I'm on a single track here - I work to direct what I want to see onstage. I basically have been feeding my own needs - to be working on a specific project at a specific time, and fortunately more often it works than fails.
I stopped directing in 2001 for four or five years, until I did the TV series 'Masters Of Horror.' I had been working steadily as a director since 1970. That's a long time. I was burned out.
That was certainly true the first time, when I did Body Heat, the first movie that I directed. I was looking for a vessel to tell a certain kind of story, and I was a huge fan of Film Noir, and what I liked about it was that it was so extreme in styl...
No one is immune from the larger events of his or her time - the Depression, World War II, civil rights, Vietnam, the spring of 1989 in China. These events intrude upon our lives and radically affect our directions.
I guess I didn't feel confident enough to be searching in a big public way. I was very content at the time to toil in obscurity on things that I thought might point me in certain directions or teach me certain things - not knowing what that would be.
For a long time, there was this rumor that I turned down doing 'Austin Powers,' which is not true. While they did send me the script, I don't think I was ever a serious consideration to direct it. I'm sure they probably sent it to 20 others as well.
I look for an interesting and often times, fresh character. Something different that what is done all the time or than I've done recently. I look at who is directing. Those two variables as well as a third, which is the content and the quality of the...
Never look for the story in the 'lede.' Reporters are required to put what's happened up top, but the practiced pundit places a nugget of news, even a startling insight, halfway down the column, directed at the politiscenti. When pressed for time, th...
Walter Peck: Hold it! I want this man arrested! Captain, these men are in criminal violation of the Environmental Protection Act! And this explosion is a direct result of it! Dr. Egon Spengler: YOUR MOTHER!
[Oddball sees that the bridge he wants to cross is intact and is pleased with himself] Oddball: It's still up! [a plane flies over the bridge and bombs it... direct hit] Oddball: No it ain't.
Steve: You know Teague, he won't take "Go to Hell" for an answer. Diane: What are you going to do? Steve: I'm gonna give him directions.
The Old Man: [held at gunpoint by Jones] Dick, you're *fired*! [Directive 4 limitation against Jones is cancelled] RoboCop: Thank you. [shoots Jones]
Remy: [directing rats in the kitchen] Team three will be handling fish, team four, roasted items, team five, grill! Get to your stations! Let's go, go, go!
[a group of Stormtroopers have found the escape pod] Stormtrooper Officer: Someone *was* in the pod. The tracks go off in this direction. Stormtrooper: [holding up a ring of metal] Look, sir: Droids.
Money is always on its way somewhere. What you do with it while it is in your keeping and the direction you send it in say much about you. Your treatment of and respect for money, how you make it, and how you spend it, reflect your character.
If Barbra Steisand wants to make a picture called 'My Pink Fingernail,' the studios will go, 'Gee, Barbra, what a wonderful idea! Money is no object! Take two years in preproduction and write the music, and you'll direct.'
We seek for truth in ourselves; in our neighbours, and in its essential nature. We find it first in ourselves by severe self scrutiny, then in our neighbours by compassionate indulgence, and, finally, in its essential nature by that direct vision whi...
