At DC Comics, it has been a top priority that DC forges a meaningful, forward-looking digital strategy.
I have a lot of plants and fish and a pet lizard and Venus flytraps. I have a whole ecosystem in my room, like a running waterfall and different lights and sensors set on digital timers.
The hands of every clock are shears, trimming us away scrap by scrap, and every time piece with a digital readout blinks us towards implosion.
Last time I checked, the digital universe was expanding at the rate of five trillion bits per second in storage and two trillion transistors per second on the processing side.
Alan Turing gave us a mathematical model of digital computing that has completely withstood the test of time. He gave us a very, very clear description that was truly prophetic.
The idea of a national digital library has been in the air for a long time, and there was a danger that some people would feel that it's their property, so to speak.
I want to continue to strengthen Harvard's fabulous collections in old printed material, but at the same time, I want to help Harvard move into the world of digitized information.
CD stores have the disadvantage of an expensive inventory, but digital bookshops would need no such thing: they could write copies at the time of sale on to memory sticks, and sell you one if you forgot your own.
We've outsourced our memories to digital devices, and the result is that we no longer trust our memories. We see every small forgotten thing as evidence that they're failing us.
Truth is, people like buying things for $0.99 and $1.99 for their digital devices. We know that from iTunes. We know that from the app store, and now we know that from publishing.
I think technology has advanced so far now that there are some cameras on the market that give film a run for its money. It's all about flexibility in capturing images, and digital or film, it doesn't matter to me.
The proliferation of outlets that digital technology has enabled has itself contributed to the changing nature of what we regard as 'news' and the way in which many citizens perceive politics.
Digital power is every bit as likely to be abused as physical power, but is often more insidious because it is often wielded in the background until its results manifest themselves in the offline world.
I think I played in Lambeau maybe 14, 15 times. I've played there a lot of times. It's in the teens, double digit. I've had success on that field, won and lost.
When digital technology started becoming the norm, you've got 50, 60, 70 years of recordings on tapes that are just deteriorating. Like, a two-inch reel of recording tape won't last forever. It dissolves. It will disappear.
Digital technology is both arousing and distancing. We don't look at the users on the other side as people. They aren't - they're just usernames, Facebook photos and Twitter handles.
Even if there were no illegal copying, the advent of digital distribution will put a lot of stress on the movie and music industry. When the distribution costs comes down, that puts more price pressure on the rest of the cost.
Music turned to digital, and suddenly you had the possibility to make things louder than loudest, which boggles the mind but it's true, and what you have are all kinds of different ways of distorting your music.
Electronic music used pure sounds, completely calibrated. You had to think digitally, as it were, in a way that allowed you to extend serial ideas into other parameters through technology.
When the digital world is really here, movies can be disseminated from satellite direct to homes and direct to small theaters in Mongolia and northern Russia and obscure places that the market for movies is going to grow and grow and grow.
I grew up in a physical world, and I speak English. The next generation is growing up in a digital world, and they speak social.
