When I look at a digitally acquired and projected image, it looks inferior against an original negative anamorphic print or an IMAX one.
I've never been able to arouse any interest in myself for digitally produced sound, and so the computer turns me off.
Courses can, and should, incorporate the excitement and fun of programming games, apps or even real digital devices.
Bookstores will not disappear but will exploit digital technologies to increase their virtual and physical inventories, and perhaps become publishers themselves.
Librarians are teaching the next generation how to use digital media responsibly.
Our technologised society is becoming opaque. As technology becomes more ubiquitous and our relationship with digital devices ever more seamless, our technical infrastructure seems to be increasingly intangible.
I support any procedure that allows photographers to express themselves, whether that involves color, black and white, platinum, palladium and digital technology.
I'm interested in ways that digital interfaces can be utilized as powerful narrative devices, and to engage people in new and exciting ways.
Digitization is certainly challenging the old ways of doing things, whether that's in publishing or politics. But it's not the end. In many ways, it is just the beginning.
The function of camera movement is to assist the storytelling. That's all it is. It cannot be there just to demonstrate itself.
And when you get where you’re going, you darn well better look great!
Culture is like water in the sea; it can either keep the business ship afloat or drag it down and sink it.
People think they own time. They have watches and clocks and digital pulses. But they are wrong.
Whether you like it or not, the digital age has produced a new format for modern romance, and natural selection may be favoring the quick-thumbed quip peddler over the confident, ice-breaking alpha male.
In the digital age, we filter forward instead of filtering out. As a result, all that material is still available to us and to others to filter in their own ways, and to bring forward in other contexts.
Now that digital lifestyle devices, tablets, wireless phones, and other Internet appliances are beginning to come of age, we need to worry about presenting our content to these devices so that it is optimized for their display capabilities.
The potential for the abuse of power through digital networks - upon which we the people now depend for nearly everything, including our politics - is one of the most insidious threats to democracy in the Internet age.
In Los Angeles, sometimes it's hard to find a magazine stand, let alone one that has the magazine that you want. So I find that the longer I live in L.A., the more digitally I consume.
When anything goes digital, let alone something as immaterial as a book, there is a tendency to see it as just in the air to be taken, and to lose the sense that somebody once made it.
Another thing to do with the blues is how they were recorded. They were done on the quick, and some of that stuff was made on wire, not even tape, let alone digital.
I've been trying to make this argument that digital comics and print comics are both art, but there are subtle differences.
