Every religion implies that it treats the problem of being and nonbeing, life and death. Their languages are different, but they speak about the same things.
When people talk about the death of the novel, they are speaking of the need for the birth of something different.
The consequences of decisions don't just affect spreadsheets... They affect, in fundamental ways, the lives of people and they often mean the difference between life and death.
There is no fundamental difference between the preparation for death and the practice of dying, and spiritual practice leading to enlightenment.
If there is a gay uniform, the differences are in how each man coordinates the details: the brand and cut of the jeans, the design of belts and boots, the haircut, the number and size of earrings.
An arts education helps build academic skills and increase academic performance, while also providing alternative opportunities to reward the skills of children who learn differently.
The education, the cultural awareness, is different in Europe, especially in France, from that in the United States. So I think the public will be much more appreciative of many images.
The big shift in approach on education that we are taking - which is different from what happened before - is that we trust teachers and we trust heads.
Following the creation concept that creation processes differed from preservation processes, it is suggested that God endowed each created kind, at the time of its creation, with potential for vast variety.
I envision someday a great, peaceful South Africa in which the world will take pride, a nation in which each of many different groups will be making its own creative contribution.
The most successful people I've worked with, like the Rolling Stones - people of a different, kind of legendary caliber - have such great, warm energy.
The herbalist I met a few times - it was great - she gave me literature about the different processes that an herbalist would do to make medicines from certain herbs and things.
It's hard to believe the life that 'Someone Like You' has taken on. It's proof that people hunger for great songs - and they are open to different interpretations of songs they love.
It's a whole different kind of anxiety. But the great thing about doing a theatre job is that once the ball starts rolling you just have to go with it, it's inexorable.
I liked working with Tom Christopher as he was great as Hawk, and Wilfred Hyde White but I wished it were in a different context as the changes really tuned off the audience.
The longer you live and the more you learn, the more clearly you will feel the difference between the few men who are truly great and the mere virtuosi.
I remember when Victoria Wood started to come through, and I thought she was great, though she and I are very different in our approach.
I'm getting optimistic. I think, as I talk to people around the country - they seem to get it. They want a return to those things that made America different and great.
If you're lucky enough to work with great actors and creative people, they're always just going to be who they are, so I don't think there's a difference between the Brits and the Americans.
I think our storytellers - our songwriters should be great storytellers, and they should be mountain climbers and explorers, because music is something that can cross all different borders.
Lyrics are very different. There is a clear line between that and a poem. Something that has been a source of great excitement and delight for me is this idea that I get to rhyme.
