There are very few places in the world where you have to learn a language with no language in common. It's called a monolingual field situation.
I wish that I spoke more languages. I speak a couple languages, but not well enough to really dub myself. French is really the only one, and it's a difficult thing.
My dog is vicious to the uninvited guest, lavishly affectionate to the invited one, and so freakishly acute that he has mastered the English language.
Because Shakespeare's language is so expansive, we're under this misconception that it's difficult. But I discovered that it's easy because it's so brilliantly written. The words are perfect, and the language is intelligent and very emotional.
The question is how to bring a work of imagination out of one language that was just as taken-for-granted by the persons who used it as our language is by ourselves. Nothing strange about it.
Lt. Col. Frank Slade: Don't shrug, imbecile. I'm blind. Save your body language for the bimbi.
Poetry is the universal language which the heart holds with nature and itself. He who has a contempt for poetry, cannot have much respect for himself, or for anything else.
Rap and spoken word have reawakened the country to poetry in itself. Texting and Twitter encourage creative uses of casual language, in ways I have celebrated widely. But we've fallen behind on savoring the formal layer of our language.
In this respect I suppose I'm the total opposite of Garry. With his very emotive body language at the board he shows and displays all his emotions. I don't.
The way that I approached numbers, think about them, the same as for language as well-acquiring vocabulary, understanding the grammar, the structures of languages, the rhythm, the music and so-on - these things obviously evolved.
This is the problem with language, and this is what makes silent movies fun, because the connection with them, me or the audience is not with the language. There's no question of interpretation of what we are saying it's just about feeling. You creat...
Columbia University, where I went to study in 1993, insisted its undergraduates learn a foreign language, so I discovered French.
If you learn the language of loss early, I think you seek out others who have experienced the same thing, who speak that same language of loss.
Directing non-actors is difficult. Directing actors in a foreign language is even more difficult. Directing non-actors in a language that you yourself don't understand is the craziest thing you can possibly think of.
To direct actors is difficult. To direct actors in another language is more difficult, but directing non-actors in another language is one of the craziest things that I have done and one of the most rewarding experiences I have had.
As a scholar I am interested in the philosophy of language, semiotics, call it what you want, and one of the main features of the human language is the possibility of lying.
The problems of language here are really serious. We wish to speak in some way about the structure of the atoms. But we cannot speak about atoms in ordinary language.
It seemed to me that the real philosophical breakthroughs of the 20th century were in terms of the understanding of language. What is language? Where does it come from, how does it work, what does it do?
There is very little difference in people, but that little difference makes a big difference. The little difference is attitude.
Before you judge me as some kind of 'anything goes' language heathen, let me just say that I'm not against usage standards. I don't violate them when I want to sound like an educated person, for the same reason I don't wear a bikini to a funeral when...
Words differently arranged have a different meaning, and meanings differently arranged have different effects.
