Full of intrigue, tangled pasts, and raw emotions, [Gambling On A Secret by Sara Walter Ellwood] is guaranteed to keep you turning pages from start to finish and then wishing for one more chapter!
It's wonderful to move forward technologically, but we cannot forget that we are human beings who thrive on relationships, who thrive on interconnectivity, who thrive on sharing your feelings and emotions.
I can remember feeling very angry, and saying no! I can do it myself! From that point of view it was very emotional for me to get myself to the point to sit in the chair and be 'up'.
It's easier when you play. You get your emotion out. You scream. You yell. You do whatever you want. You play. But it's tough to sit.
It's the emotional trigger points that are important to me because I know if I could believe in the characters and try and imagine how they felt then I'd be able to do something quite honest.
But I also wanted to give them an intelligent emotional journey, without having to suspend reality - to be able to look at those characters and see reasons for the relationships and why what happens happens.
I had the conviction that lovemaking fools you. The overpowering emotions it induces make you think you're sharing the same feelings as the other person and that they're imagining the same as you.
I try not to think too much about where my voice comes from. I'm channeling characters and emotion to come up with beautiful words that tell a story.
We see that every external motion, act, gesture, whether voluntary or mechanical, organic or mental, is produced and preceded by internal feeling or emotion, will or volition, and thought or mind.
Teams are made up of a lot of components. They're made up of hunger, they're made up of desire, they're made up of chemistry, and they're made up of emotion.
The most difficult thing in any negotiation, almost, is making sure that you strip it of the emotion and deal with the facts. And there was a considerable challenge to that here and understandably so.
You learn to rely on a few basic movements and use your voice to the greatest extent possible to convey your emotions. So there was a technical challenge there and a responsibility to create a character from behind the mask.
When on the set of a film, you have to play natural for entire scenes in a very unnatural environment. You have to express emotions and interact with other actors and also use your voice.
Courts are supposed to be places of reason. But this, of course, is a fantasy. I mean, there is reason being used as a technique. But courts, in fact, are baths of emotions.
I'm singing what I want to sing based on the emotion of what that day feels like. That's what comes out of my mouth and guitar. That impacts people. They know anything can happen.
The subject for a lot of non-fiction is very emotional, but if you read it, it's the most boring, dry stuff. I wanted 'Torn Apart' to be extremely accessible and readable.
A lot of actresses I've worked with recently have done so much Botox their faces don't look real anymore. If you freeze everything on your face, you can't emote.
Memories, impressions and emotions from the first 20 years on earth are most writers' main material; little that comes afterward is quite so rich and resonant.
The Savior has suffered not just for our iniquities but also for the inequality, the unfairness, the pain, the anguish, and the emotional distresses that so frequently beset us.
There are a few musicians that I know who seem on the outside like very asocial or somewhat unemotional people, people who aren't capable of emotions, and people think they're very cold inside.
Real laughter is spontaneous. Like water from the spring it bubbles forth a creation of mingled action and spontaneity - two magic potions in themselves - the very essence of laughter - the unrestrained emotion within us!
