There is no better test of character than when you're tossed into crisis. That's when we see one's true colors shine through. So I try my best to make my characters personally involved in the plot, in a way that stresses them and tests them.
That's what he was saying, the civil rights movement - judge me for my character, not how black my skin is, not how yellow my skin is, how short I am, how tall or fat or thin; It's by my character.
Always when I directed the play, I was always trying to cast people not who were necessarily like the characters, but people who I felt had the essential component that the character had, some kind of soul for it.
I think people are excited because, even watching 'Boy Meets World,' you can tell that those characters are going to do something when they get older. I think people are excited to see characters they grew up with continue.
I'm a gay man who came from the last years of illegality. That focused my whole character. I think it focused everyone's character in a way. You saw yourself as outside of the main structure.
In terms of the character itself, I can't really say that I find anything really difficult. I enjoy the character so much I don't perceive difficulty in trying to be him. It's just a matter of how do we get there.
First comes an idea. Then, characters begin to evolve out of the landscape of that idea. And then, finally, characters dominate: plot is simply a function of what these people might do or be. Everything has to flow from their personalities; otherwise...
My roles in comedies from 'Austin Powers' to 'Tommy Boy' to 'Wayne's World,' were sort of comedic 'straight man' parts. My character on 'Parks & Recreation' is the comic relief in a comedy. To play a character that appears strictly for laughs is sort...
Obviously you have to have talent in order to play so you can't overlook that, but we won't overlook the character issue when it comes to talent because if they have talent and they don't have character, it's going to be very difficult to coach that ...
I think that if you get too close to the character, if you do too much historical research, you may find yourself defending your view of a character against the author's view, and I think that's terribly dangerous.
When I was acting, I got trained in creating a character as a three-dimensional person. If you're doing it right you should be able to draw an audience into the character's world and make them feel their fears.
People always tell me I'm nothing like my character. Well, hopefully not! He's a character who's very defined. He was purposefully written by Jo Rowling as very one-dimensional in the first few books, because you're supposed to hate him.
I created lots of characters in high school and college, and the first character I created in pro comics was Liana, Green Lantern of M'Elu, for a backup story in 'Green Lantern #162,' my first professional sale.
Marvel's got a crowded universe, and there are already so many characters hogging the spotlight that it's hard to break through that. First off, whatever character you're creating, odds are, there's already someone similar in one way or another.
My character Milly in 'The Boy Who Could Fly' was a very strong part. There were dramatic moments, and there were humorous moments, too. The whole story with Eric Underwood's character was just wonderful, and the messages behind the script were very ...
Some writers need to sink in order to feel what their characters feel; in order to write their characters with the truest feeling possible. Those closest to those writers end up feeling the effects of that process. It takes a strong person to be with...
When forced to survive in an apocalyptic world, there are some characters that embrace their higher selves with some emerging as natural born leaders, and others succumb to their more base and primal selves and basically transform into savages. It's ...
[To actor Strother Martin] You know, as character actors we play all kinds of sex psychos, nuts, creeps, perverts, and weirdos. And we laugh it off, saying what the hell it's just a character. But deep down inside, it's you, baby.
The most unrealistic thing I've ever read in comics is when some group of characters calls themselves the Brotherhood of Evil or the Masters of Evil. I don't believe any character believes their goals to be truly evil.
For me, my preference for comedy is grounding it in the psychology of the character, and not just kind of making faces. Even when it's a crazy character, grounded comedy resonates more with people because it doesn't look like you're watching someone ...
Don't let your characters tell you what to do. They can be pushy. Some writers say that they create characters and then just sort of follow them around through the narrative. I think that these writers are out of their minds.
