My inspiration is endless; I can't define it. It is a constant flow and evolution. In general, I'm taking it from everywhere. People get nervous when they walk with me, as I'll see something and suddenly have to text it to myself.
I am always attracted to the moments when a person who is associated with a certain message, image or sensibility evolves. I am very interested in how audiences respond to that maturation and absorb the evolution.
My own brand will stand or fall because of me. Dior won't fall if I fall. It will also still stand if I'm not there. I'm coming in there, and it's like a - I don't know the English word - like a passage.
When I was in college at the University of Pennsylvania, where I studied international relations and French, I studied abroad in Paris for a semester. I think when you're there, you can't help but be immersed in fashion because it's such a part of th...
It's so easy for me to get caught up in the feeling of a city like Venice, where everything is just beautiful color and gorgeous buildings that are so peaceful. You can roam around and get lost in the labyrinth.
I can go into the wilderness and not see anyone for days and experience a kind of space that hasn't changed for tens of thousands of years. Having that experience was necessary to my perception of how photography can look at the changes humanity has ...
It has been the experience of a lifetime to work with Catherine Middleton to create her wedding dress, and I have enjoyed every moment of it. It was such an incredible honor to be asked, and I am so proud of what we and the Alexander McQueen team hav...
Well, sometimes if I go out to dinner with my family, people will come up to me and put their hand across my plate for me to shake, sometimes when I have a bite of food in my mouth. I find this a bit disturbing.
It's hard for people to realize now, but my gosh, when I was in school, you could not name a group that was less cool than Kiss. Going in to school with a Kiss T-shirt, you were asking for ridicule. In '77, they were one of the biggest bands in the w...
Design is a series of creative choices - it's a collaborative effort, an evolutionary process. You choose your fabrics depending upon what you want to say, then you work with mills to get those fabrics. Through the process, you realize what you want ...
It's a Japanese way of thinking, that I give value for my merchandise. So I don't want to sell unnecessarily expensive dresses and make just 10 or 20 and then feel satisfied. I want to design for real women who can afford my dresses.
I very rarely wear suits, and only make one or two per season, so it's about wanting exceptional clothes that don't feel stiff. Fabric and garment washing are a big part of my design process for that reason. Everything needs to feel lived-in and comf...
Ideas must be put to the test. That's why we make things, otherwise they would be no more than ideas. There is often a huge difference between an idea and its realisation. I've had what I thought were great ideas that just didn't work.
I never cared about buying things for myself, like clothes. And then all of a sudden I realized how great it is to be very precise about the shirts that I wear and all the things that are a part of my closet. So the ritual of fashion and shopping bec...
Well I am from Annapolis Maryland. I went to High school in Baltimore, but I grew up in Annapolis. It was a cute town. We lived on a waterfront community. It was good, even though I don't really fit the preppy boater kind of style.
There is undoubtedly a lot of pressure that comes with recognition, which can be a good thing and bad thing all at the same time. But if you stay focused and don't lose sight of what you're doing and who you are, you can rise above it.
I find mediocrity hard. I find that whole area difficult. I'm a very passionate person; I care very much about what I do. I believe I give it a lot, so it's gotta be good; otherwise, what's the point?
What I like to wear, I do myself. I don't know how that sounds, but it's the truth. My life is so mixed with my profession that I don't know where I begin or my work ends.
My mother has always encouraged me to do what I love. When I started being interested in fashion, she was very supportive, bringing me to see exhibits and buying me books. And when I started my company, she was right there to help me!
I always loved the look of musicians. I've always admired them because they have a look - when I was growing up, it seemed that the ones I liked didn't need to have a stylist.
You see it in the many bouncing clothes that are not just pleats. To make them, two or three people twist them - twist, twist, twist the pleats, sometimes three or four persons twist together and put it all in the machine to cook it.
