I created lots of characters in high school and college, and the first character I created in pro comics was Liana, Green Lantern of M'Elu, for a backup story in 'Green Lantern #162,' my first professional sale.
You're reluctant to give too much away when you're going to put it out there for other people. It's harder writing your truest fears and loves and guilts, because you're not sure when you're writing the right story.
For me as a writer, the story has always taken precedence over everything else. I have never sat down to write with broad, sweeping ideas in mind, and certainly never with a specific agenda.
I don't outline at all; I don't find it useful, and I don't like the way it boxes me in. I like the element of surprise and spontaneity, of letting the story find its own way.
When I begin to write a story, I usually know how things will end. It's the journey toward that point I must discover. The process is sometimes painful, but also exciting.
The story of grace is the Gospel of not just forgiveness, but also of redemption. God uses the weak, the ones who have failed and the ones who had run out of second chances long ago.
When I was a child, it was a matter of pride that I could plow through a Nancy Drew story in one afternoon, and begin another in the evening. . . . I was probably trying to impress the librarians who kept me supplied with books.
I'm proud to be on the CBC and to see the management here represents both sides of every story. This is what's unique about the new CBC: you get a Kevin O'Leary on it when five years ago you wouldn't.
Writers get embarrassed sometimes in talking about how much fun writing can be, but drafting is often really enjoyable. Often, you're tumbling in the dark, and you don't know where the story is going to lead.
The first day was memorable for me. I walked into this studio with these giant eyes, slowly met everybody and got to see the story boards and sketches of our characters. I got the see the sets and was just amazed that all this was to be something we ...
It is quite important to believe that your life is a Book which was written, edited and published by the Master of all authors- your CREATOR. He writes ONLY the best stories & all HIS Creations are the best and a success without any reservations
Short-story writing requires an exquisite sense of balance. Novelists, frankly, can get away with more. A novel can have a dull spot or two, because the reader has made a different commitment.
What was life like ? deprivation and abundance, side by side like a miracle. surrender to them both . Poverty and sunshine, poverty and jewels in the sky . Drought and the gushing Nile Disease and clean hearts, stories from neighbours and relationshi...
By using our international network, utilising templates and thinking ahead with pre-planned pages that contain carefully selected relevant news, we can deliver stories that other people just don't have. And that will release resources for the web.
You can swap the message around, and whatever the particular norm is, or whatever the particular message is, when you put your pet-peeve message before story, odds are you are going to bore the shit out of your reader.
My character Milly in 'The Boy Who Could Fly' was a very strong part. There were dramatic moments, and there were humorous moments, too. The whole story with Eric Underwood's character was just wonderful, and the messages behind the script were very ...
A choreographer deals with the movement that you create, and with a creative director it's about the story, the stage, the lighting, the costuming, executing someone's idea, choosing how far to go or how little to go, and blending it so that you feel...
For me, being a writer was never a choice. I was born one. All through my childhood I wrote short stories and stuffed them in drawers. I wrote on everything. I didn't do my homework so I could write.
I was starstruck and completely confused; making a film of this story hadn't even occurred to me, and I hadn't written a single line of the book yet. I had no idea how this man knew anything about my book proposal.
I don't think I can tell any stories about how I lived in a van in Alaska. I grew up in the suburbs, I even had my own room. We weren't poor. Everything was very normal.
we are our story . we both wanted us . we both loved. we both create our generation to continue. we both die .we come back - for both of us, again to ask for each other .
