Sometimes I wouldn't give an interview because I didn't have the time or something else was more important. So they come up with a story which I don't think is always true, but they have to sell papers.
It doesn't matter how much I think I know about Florida, it still flips me on the head every time. It's just an absurd, eclectic place, and the stories that can come out of that place just never stop.
I think a novel has to be about where you are at a given moment in time. I think it really needs to represent some specific pain you're going through. it's not just a story.
The show was number one in the ratings, Gordon Russell was our head writer, the story lines were magnificent and the acting most exciting. I loved working with Judith Light and all the other actors on the show at that time.
When you have an idea for a story, you want those characters to reach as many people as you can. I think you normally think of prose as a way of doing that. It fits our time, the culture.
'Behind The Candelabra' is an HBO movie. It's the Liberace story. Michael Douglass and Matt Damon. I play a small part in it. I play a choreographer who introduces, brings Matt Damon to Las Vegas for the first time.
From a completely financial standpoint, digital is starting to crack as far as an independent filmmaker's access to getting your story out there - Amazon, iTunes, all of those. It makes the prospect of doing it yourself - not easy by any means - but ...
CNN, a part of the Time Warner company, lives for news about everything and anyone. In the office, the bosses openly discuss the need for a diverse staff and diverse stories, and each time we draw new viewers, the effort intensifies.
Being an entrepreneur is a mindset. You have to see things as opportunities all the time. I like to do interviews. I like to push people on certain topics. I like to dig into the stories where there's not necessarily a right or wrong answer.
But at the same time, the commonplace statement about them is true: every character is the hero of his own story. Each has a justification for his actions that is convincing to him. It's fun to give these people voices.
And I have to credit David Jacobs with the opportunities he gave me. He was totally into sharing the creation of characters. David put together a show that told the story of people over many years' time and that was greatly enjoyable. Though nowadays...
As a writer, I absorb stories, allow them to churn within my own head and heart - often for years - until I find a way of telling them that fits both my time and temperament.
A departure from the movie with Michael J. Fox, 'Teen Wolf' tells the story of how a group of angsty teens deal with werewolves, their supernatural kin and the world of trouble that comes with it, all while trying to still live their lives.
Well, the whole story is in the book, but the short answer is that I was the first information architect in an organization that was traditionally design-oriented, and I felt I needed a tool to help me gain the trust and support of my colleagues.
Know that there is so much more to you than your body. It's not just about perfecting the steps; you must trust your instincts to tell deep, emotional stories through the steps that you are performing.
[history is written by the winners. And if the Nazis had won, future generations would understand the story of World War ll quite differently]
Narrator: Aunt Clara had for years labored under the delusion that I was not only perpetually 4 years old, but also a girl.
[overdressed for winter] Randy: I can't put my arms down! Mother: Well... put your arms down when you get to school.
[after cracking a secret code] Ralphie: [Reading it] Be sure to drink your Ovaltine. Ovaltine? A crummy commercial? Son of a bitch!
[Describing a "reaction" to an encounter with the bullies] Ralphie as Adult: [narrating] Randy lay there like a slug! It was his only defense!
Ralphie as Adult: [narrating] My little brother had not eaten voluntarily in over three years.
