I have a musical called Goodbye and Good Luck, based on a Grace Paley short story. I also have King Island Christmas, and there are 20 different productions of it this year.
Ranking among the greatest Christmas movie classics, 'It's a Wonderful Life' tells a beautiful story about the priceless value of relationships.
Even when you're making a movie about life, death is a presence, and I guess it's part of my dramatic viewpoint. I'm not sure why exactly. Maybe I'm drawn to it as a story element.
All in all, I'd like to venture into film. Films are my staple diet, so I would love to be part of a feature film, independent film... it all just depends on the story and the people behind it, really.
Short stories are tiny windows into other worlds and other minds and dreams. They are journeys you can make to the far side of the universe and still be back in time for dinner.
What is life? A madness. What is life? An illusion, a shadow, a story. And the greatest good is little enough; for all life is a dream, and dreams themselves are only dreams.
Gradually it occurred to me that we spend a great deal of life asleep and that dreams are little narratives, little stories. I thought, 'Who's choreographing this stuff?'
When I give speeches at college, I don't tell stories, I talk about what it is to live your dreams and take the path less traveled.
The reward is that you can actually create a world separate from reality with a story, actors, music, and camera design. When it works it can entertain, move people and teach us all.
I'm a big believer in the emotion of design, and the message that's sent before somebody begins to read, before they get the rest of the information; what is the emotional response they get to the product, to the story, to the painting - whatever it ...
I believe God gives people the right to say no, to resist, to refuse, to reject, to cling to their sins, to cling to their version of their story.
In 'Surprised by Grace: God's Relentless Pursuit of Rebels,' I retell the story of Jonah and show how Jonah was just as much in need of God's grace as the sailors and the Ninevites.
TV and film taught me to think cinematically. Teaching others to edit, for example, provides a great deal of insight into the millions of ways in which given elements can be put together to tell a story.
You know, 'Project Runway' was a really special show, and we had a great five seasons with it. We loved that show, and we loved the stories that it brought to Bravo and the creativity. And it was a magic five seasons.
There's a great tradition in storytelling that's thousands of years old, telling stories about kings and their palaces, and that's really what I wanted to do.
The great thing about games is that it's tremendously collaborative, and it opens you up to this other world of thinking and storytelling and how you construct those stories.
One of the great pleasures of acting is surrendering to someone else's point of view of the world - living inside a character and a story that never would have come out of your mind or heart.
That's why Tennessee Williams was a great writer. Poetically, dramatically, it was fantastic stuff. And with the landscape, the losers in life populating it. His short stories have got rhythm, something musical about them.
I don't know the politics of Hollywood. Am I hungry for great material? Every actor is. How I can get to it, that's another story.
Mine is just a simple old human story - of one person trying, with great rigor and discipline, to comprehend her personal relationship with divinity.
But because it was able to balance that kind of humor with a sweet story and characters you really rooted for and also got across the girls' point of view, I've heard nothing but great things from younger and older females as well.
