Changes have taken place since year one. When Caruso left, that was a big change. We've been able to adapt nicely. It's given us new opportunities for different characters and story lines.
Some people say I appeared on the Phil Donahue show to tell 'my' sex change story but I've never appeared on his show for any reason... not even as a member of the studio audience.
Writing is powerful. Whether it's a little girl hiding from the Nazis in an attic, or Amnesty International writing letters on behalf of political prisoners, the power of telling stories is usually what causes change.
'Hollywood Don't Surf!' is really about how Hollywood's superficial view of surfing culture has influenced popular culture and the story of what happened when real surfers tried to change that.
I've always loved shows that combine both approaches - that have a mythology and a set of characters, whose stories develop and change, and where the relationships evolve and fracture.
In 1991, the government unleashed the power of India and created a partnership between itself and industry. As a result, India has emerged as an economic success story, and that is a matter of pride for all of us.
Whoever places his trust into a system will soon be without a home. While you are building your third story, the two lower ones have already been dismantled.
I still like the relationship part of any story. You don't want your character to figure everything out and then at the end of the day, go home and eat soup from a can by herself.
Pet lovers know that animals sometimes understand us better than we do, and the annals of human sin and desire provide plenty of stories to drive the point home.
I feel that these stories are being written to articulate certain confusions and disappointments, and I do mean to shake up the reader, and I do hope they're on target.
It's not about finding Mr Right, or that sort of conventional ending, but I do want my characters to have hope - and that's what I do with all my stories.
I hope that I am generous and tolerant, but certainly on the intellectual side I think that there are discoverable truths, and some things that are closer approximations to the truth than others.
I'm a relentlessly optimistic person, and I think 'The Waterhole' is a story of hope and that even though nature goes through cycles, we prevail in the end.
I hope that my story, I hope that my life is... an encouragement for people, especially in Brooklyn. I feel humbled and blessed.
There's a lot of interest from the medical community on how things develop in microgravity, and the hope, later, that is expected to apply to what the changes are in humans as well.
I love when people laugh. I love when they cry, I like a story to say something, and I hope the audience feels happier leaving the theatre than when it came in.
When readers close the covers on 'Running the Rift,' I want them to understand that it is not a genocide novel but rather a story of hope and rebirth.
It's always been my hope that I would write a story that would inspire and would connect with people in a way that would touch hearts.
Millions upon millions of people came here full of hope and aspiration to this extraordinary land of liberty and opportunity, and helped build the United States. So the Atlantic Ocean was absolutely critical to the story of America.
I hope before I am getting too old and when my mind is still functioning, I can tell some better stories.
Although humor is present in every one of my films, it has always been used as a way to make the darker, heavier stuff in my stories more palatable. I never set out to make 'Humpday' a comedy.
